Showing posts with label UK. Show all posts
Showing posts with label UK. Show all posts

Thursday, November 27, 2014

Call to artists: Look Again 2015 - North East Scotland


Practitioners from a wide spectrum of creative disciplines are invited to submit proposals for a site-specific commission to take place in Aberdeen as part of the inaugural Look Again 2015.
Introduction - Look Again - ‘Forging Creative Connections’ Look Again 2015 is a five-day focus on visual art and design taking place in Aberdeen, Scotland. The festival will commence on Wednesday 8 April and will continue until Sunday 12 April, working with various partners and across a variety of venues and locations.
Our ambition is for Look Again to grow and develop into a larger annual festival that will showcase the very best in visual art and design in North East Scotland.
Artist Brief – ‘Look at Me!’
Deadline: 07 December 2014 at 17:00
Aberdeen’s city centre has a diverse range of sculptures. These range from traditional to contemporary and perform many functions, such as commemoration, memorial and remembrance, as well as the expression of ideas. As part of the festivals first years focus on visual arts and design we are interested in applicants responding to the traditional figurative statues, which form part of an existing sculpture trail within Aberdeen city.
We believe these monuments have become like wallpaper to the residents of Aberdeen and through a new and inspiring piece of public art we wish to highlight their historical references, unheard stories and lively anecdotes.
These creative interventions will re-engage our residents with this trail; becoming tourists in their own city. Many of these public sculptures date from the 19th century, and artists, when developing their proposal, may wish to reflect on how modern considerations of ethnicity and gender balance could be addressed in their projects.
We would like to invite applicants to design elements for the sculptures that are a new creative intervention and will redress these monuments; this can take the form of oversized jewellery, a complete textile wrap, a change of colour. It is up to the individual or group to create an intervention that will engage the general public to look again at an existing historical sculpture.
This opportunity is open to all artists, designers as well as creative thinkers and makers. We have identified seven sculptures within Aberdeen city centre and one site has been earmarked for applicants to engage and work with a community or group, to develop the project and together redress the piece of public art. We welcome applications from individuals, groups and collectives and each applicant can apply for more than one site or all the sites.
Budget
*A total budget of £13,800.00 is available for 6 of the commissions.
(Each site has a budget of £2300.00)
*Community Engagement Commission - £4300.00
How to apply:
If you are interested in this opportunity and for further information, please contact SMART Consultants (Producers of Look Again 2015 in partnership with RGU) to request a full brief.
Email: info@wearesmartconsultants.co.uk or call 01224561977,
The deadline is Sunday 07 December 2014 at 17:00pm.

Thursday, November 20, 2014

Berwick Visual Arts Residency

Berwick Visual Arts is pleased to announce applications are now open for its annual residency in partnership with Berwick Film & Media Arts Festival.

The residency is an opportunity for an artist working with moving image to create a new piece of work in response to the festival theme of 'Fact or Fiction' as it explores the relationship between the real and the imagined world, including the spaces in between and the points of convergence and within the context of Berwick-upon-Tweed.

The work will be premiered at Berwick Film & Media Arts Festival between 23rd and 27th September 2015.

The residency is open to artists based in the UK and internationally and applicants must have been out of college (BA graduate) for a minimum of 3 years, or have fully completed an MA and/or PhD.

Applicants should also be able to demonstrate a strong commitment to their artistic practice through a strong track record of creating new work through projects, exhibitions and commissions.

Accommodation and studio space is provided for the artist with a fee of £8000 available inclusive of artist's commission fee, material costs and production costs for the final outcome.

Please download the full application guidelines and complete the application form or email berwickvisualarts@maltingsberwick for the guidelines and application form.

APPLICATION DEADLINE is Friday 5th December 2014, at 5pm (UK time) 


Shortlisted artists will be invited for interview in January 2015 in Berwick-upon-Tweed.
Contact: berwickvisualarts@maltingsberwick.co.uk
James Lowther
Phone: 441289333075
Address: www.berwickvisualarts.co.uk/
c/o The Maltings Theatre & Cinema
Eastern Lane
Berwick-upon-Tweed, TD15 1AJ
UK

Monday, September 22, 2014

Daiwa Foundation Art Prize

http://www.dajf.org.uk/grants-awards-prizes/daiwa-foundation-art-prize


The Daiwa Foundation Art Prize offers a British artist a first solo show at a gallery in Tokyo, Japan. In addition to an exhibition, the winning artist will be given a period of support and introductions to key individuals and organisations in the Japanese contemporary art world.  The winning artist is also awarded a participation fee of £5000.
The triennial prize is open to British artists resident in the UK who have not previously had a solo exhibition in Japan.  Artists applying for the prize are required to submit documentation of four recent works, in any medium (including painting, photography, drawing, sculpture, installation, video etc), a supporting CV and personal statement.  The judging panel select a short list of three artists.  Works by all three of the short list are exhibited at the Daiwa Foundation Japan House Gallery and a winner is announced later that year.
Two Daiwa Foundation Art Prizes have been awarded so far – to Marcus Coates in 2009 and to Haroon Mirza in 2012.

Artists are invited to submit works for the Daiwa Foundation Art Prize 2015

The Daiwa Anglo-Japanese Foundation is delighted to announce the third Daiwa Foundation Art Prize, which offers a British artist a first solo show at a gallery in Tokyo, Japan. In addition, the winning artist is awarded a participation fee of £5000, and a period of support and introductions to key individuals and organisations in the Japanese contemporary art world.
The judging panel is:
Hideki Aoyama, Gallery Director, Aoyama | Meguro Gallery, Tokyo
Richard Deacon, artist
Mami Kataoka, Chief Curator, Mori Art Museum, Tokyo
Chris Orr RA, artist
Jonathan Watkins, Director of Ikon Gallery, Birmingham
The triennial prize is open to British artists resident in the UK who have not previously had a solo exhibition in Japan. The judging panel will first select a shortlist of three artists whose works will be exhibited at the Daiwa Foundation Japan House Gallery, London in June 2015, during which time a winner is announced.
The two previous Daiwa Foundation Art Prizes were awarded to Marcus Coates in 2009, who had a solo exhibition at Tomio Koyama Gallery, Tokyo, and to Haroon Mirza in 2012, whose solo show was held at SCAI THE BATHHOUSE, Tokyo in early 2013. The 2015 Daiwa Foundation Art Prize winner will be invited to exhibit at the Aoyama | Meguro Gallery in Tokyo.
Deadline for applications: 30 September 2014
Artists applying for the prize are required to submit documentation of four recent works, in any medium (including painting, photography, drawing, sculpture, installation, video etc), a supporting CV and personal statement. Entry is free. Applications are made online.
For further information and to apply please visit: www.parkerharris.co.uk
For any queries please contact the project coordinators, Parker Harris:
T. 01372 462190
Key Dates:
30 September 2014: Closing date for applications
25 October 2014: Shortlisted artists announced
June 2015: Short-listed exhibition at the Daiwa Foundation Japan House Gallery, London
Autumn/winter 2015: Winner’s exhibition at Aoyama | Meguro Gallery, Tokyo

Thursday, May 22, 2014

OPEN CALL FOR RESEARCH FELLOWSHIP 2014

Delfina Foundation is inviting applicants from India and the Arab world for the Research Fellowship 2014, which is in partnership with Iniva (Institute of International Visual Arts) and Goldsmiths College’s Department of Visual Cultures and the PhD Program in Curatorial/Knowledge.

The Foundation for Indian Contemporary Art is supporting a research fellow from India to be in residence alongside a participant from the Arab world supported by Delfina Foundation's family of individual supporters. Please note that Indian participants should apply directly to FICA here and applicants from the Arab world should apply to Delfina Foundation.  
The Research Fellowship 2014 aims to provide an opportunity for intensive research in the field of visual culture by curators and researchers who might benefit from the research and curatorial work that is being done by the fellowship's partner institutions in London. Priority will be given to ideas that can be reasonably developed during the three-month residency into a blueprint for a future project (e. g. publication, exhibition, etc.).  Artists are welcome to apply; however this residency is largely focused on the development of critical-curatorial discourse, not singularly artistic practice or projects.  
The 2014 recipients will receive:
  • A 12 week residency (from 23 September - 15 December 2014) in London, including one economy return flight to London, a bursary for per diems and basic living costs, and accommodation. 
  • Access to attend Goldsmith’s post-graduate courses and the Curatorial/Knowledge seminars
  • Access to the Iniva’s Stuart Hall Library and Archive
  • An opportunity to assist with Iniva and Delfina Foundation’s programming
  • Goldsmiths, Iniva and Delfina Foundation will provide an important platform to the recipient scholar to meet fellow research scholars, artists and a network of professionals in the field of contemporary art in London

Conditions for applicants:
  • Living and working in India or the Arab world
  • Preferred: Proven commitment/experience of curatorial work
  • Practical experience will also be considered, although not mandatory
  • Available during the autumn 2014 term and able to be released from employment or other academic involvement; additionally applicants must not take up other commitments and travel during the fellowship
  • Proficient in English

Applicants are expected to submit:
  • An application form (see link below)
  • Recent CV/resume
  • Examples of relevant work (preferably two writing samples)

The Research Fellowship is an application-based process. The recipient will be chosen by a jury comprising of independent scholars in the field of visual arts and the partners.
Please submit only electronic copies of the above documents to the relevant email address in the application form.
Closing date for applications: 9 June 2014, 17:00 GMT.
Applicants in India should visit FICA's website for more information or info@ficart.org or calling +91 11 4610 3550 for queries.
Applicants from the Arab world can download the information sheet by clicking here and the application form here.  

Monday, May 12, 2014

BEACON ARTPROJECT B.RESIDENT

  • Location: Wellingore, Lincolnshire, UK
  • Deadline: June 23, 2014
  • Duration: 2 weeks
  • Eligibility: UK artists at all stages of their career and who are not currently in formal education and will not be during the residency period.
  • Costs & Support: Selected artists will receive a fee of £2000 to cover all costs.
  • URL: http://beaconartproject.org/opportunities/
B.resident
Beacon is offering three separate residencies each of two weeks duration scheduled to occur between August-September, November-December 2014 and March-April 2015. The exact dates will be confirmed in consultation with the selected artists. The themes of B.resident are collaboration, the production, presentation and reception of art outside of mainstream paradigms.B.residentis open to application from UK artists at all stages of their career and who are not currently in formal education and will not be during the residency period.
 The aims of B.residentare to:
  • Offer the selected artists the time and space to focus on the development of their work.
  • Challenge the selected artists to develop their understanding of how a contemporary art practice may reside in a rural context.
  • Develop longer-term relationships with the artists Beacon works with.
 Each selected artist will:
  • Be provided with a studio with basic self-contained living accommodation in the Lincolnshire village of Wellingore.
  • Receive a fee of £2000 to cover all costs.
  • Receive mentoring support from John Plowman, director and curator of Beacon
  • Receive mentoring support from a visiting artist/curator chosen in consultation with the artist.
  • Exhibit and give a presentation as part of the B.talking programme.

Deadline 23 June 2014 more information and submission guidelines can be found here:
http://beaconartproject.org/opportunities/

Tuesday, March 4, 2014

3 year artist residency w/ £32,000 annual stipend

The Grendon Friends Trust, in partnership with Ikon is inviting visual artists to apply for a
three-year residency based at HMP Grendon, Buckinghamshire. The residency is funded by
the Marie-Louise von Motesiczky Charitable Trust. An exciting opportunity for an artist to
work in a unique, therapeutic setting. The successful candidate will produce his/her own
work to reflect the experience of the residency and to deliver an effective arts programme
to the prison community.

http://ikon-gallery.org/wp-content/uploads/2014/01/HMP-Grendon_Recruitment-pack-PDF.pdf



The annual fee in the region of £32,000 is offered for this post together with a studio space
and a generous materials and exhibition budget.

To apply, please send a CV, covering letter, completed equal opportunities form and up to
10 images (or other documentation of your work) to Sarah Harding, PA/Office Manager,
s.harding@ikon-gallery.org. For further information please contact Debbie Kermode, Deputy
Director d.kermode@ikon-gallery.org

Wednesday, February 26, 2014

Soil Culture Artist Residencies Call for Applications


 


Centre for Contemporary Art and the Natural World (CCANW) is delighted to invite applications for the first of its Soil Culture artist residencies. In the lead up to and coinciding with the United Nations International Year of Soils 2015 the short residencies are aimed at encouraging an exploration of the importance of soil.

Taking place across the South West of the UK the residencies will not only provide dedicated time for experimentation, research and the development of new work but also unparalleled access to facilities, expertise and working contexts.

The residencies and the touring of the resulting works are a key part of CCANW’s Soil Culture Programme, which includes a forum at Falmouth University (July 2014) and a major touring exhibition of works by established artists. CCANW will also be helping to support residencies by Paul Chaney at Kestle Barton in Helston and Anne-Marie Culhane at the University of Exeter.

The first of the residencies will take place at: (exact dates to be agreed between the artists and hosts)

Environment and Sustainability Institute, University of Exeter, Penryn from September 2014 (term time only)
A residency opportunity working within the research interests of Dr Gabriel Yvon-Durocher, in particular soil carbon sequestration, climate change and land use management.
Interview date: 29 April 2014
For the full brief see: ESI Full Brief
www.exeter.ac.uk/esi/
 
Hauser & Wirth Somerset October 2014
A residency looking at the soil around local food production, perhaps linking with the Durslade walled Garden project (community garden) or local supplies to the gallery’s restaurant.
Interview date: 10 April 2014
For the full brief see: Hauser & Wirth Full Brief
www.hauserwirthsomerset.com

White Moose, Barnstaple summer / early autumn 2014
A residency working with local residents based in the vicinity of White Moose gallery, such as Litchdon Street Residents Association or allotment owners. Interview date:  11 April 2014
For the full brief see: White Moose Full Brief
www.whitemoose.co.uk

CCANW will be inviting applications for the second round of residencies in June 2014. They will take place at the following organisations:
Hannahs at Seale-Hayne, Newton Abbott (March/ April 2015)
Geography Department, University of Exeter (June 2015)
Schumacher College, Dartington (January/ February 2015)
Peninsula Arts, University of Plymouth (April 2015)
*Please note that dates of the second round residencies may be subject to change.

The residencies include: (please see individual briefs for specific details)
Travel budget (up to £300)
An artist fee of £1500 (£150 per day for 10 days)
Materials and production budget of £1200
Access to workspace and/ or specialist equipment and expertise
Support from staff at the host organisations and the CCANW team
Inclusion in a CCANW touring exhibition of the residency outcomes (from Spring/ Summer 2015)

And in some instances:
Travel to attend interviews
Accommodation
Per diem

The artist will:
Undertake a 10-day residency at the host organisation
Organise (with the host organisation) a half-day public participatory session (e.g. an interactive talk or workshop)
Create work or documentation (as appropriate) to be included in a touring exhibition

And in some instances:
Donate a work to the host organisation for their collection

How to apply:
Please see the full briefs and complete an application form which can be found: Application Form
Please email applications to Sally Lai, Residency Coordinator at s.lai@ccanw.co.uk by
18 March 2014.
Short-listed artists will be invited to attend an interview at the host organisations or may be conducted on Skype.
* Please note that individual applications should be made for each residency.
   
The Soil Culture residencies are being kindly supported by the hosts and by:
Arts Council England, South West Water and Arts and Culture (University of Exeter)

Wednesday, December 4, 2013

Artists and Archive: Artist Residency at the BBC Archive

http://www.lux.org.uk/news/artists-and-archive-artist-moving-image-bbc



Artists and Archive: Artist Moving Image at the BBC is a unique opportunity for six artists to access BBC Archives during a six month research and production period with the ambition to develop and create a new film work using the archives and, potentially, specially shot material.
This project is produced and delivered in partnership with BBC Scotland, LUX and Creative Scotland.
Training and development are key elements of this residency and BBC Scotland will provide bespoke archiving training on how to access and use archive, as well as the legal, editorial and copyright considerations attached to its use. 
At the end of the three month research period proposals will be reviewed and go into a three month production period, with craft support from BBC Scotland.
Throughout the residency and production period BBC Scotland will work with LUX to discuss, review and support the artists and establish a programme of talks and events at BBC Scotland which will allow the six artists to share their work with the public and BBC Staff, in addition there will be a £5,000 fee for each participating artist.
Applications are invited from emerging and established artists working with the moving image and based in Scotland.
Before submitting your application please download and read the criteria and terms and conditions by clicking here.
To apply please download and complete the application form and return with a copy of your artistic CV to:
Artists and Archive
LUX
3rd Floor, Shacklewell Studios,
18 Shacklewell Lane
London E8 2EZ

DEADLINE: 16th December 2013
Please note email applications will not be considered
If you would like us to send you a hard-copy application form please send a A5 stamped-addressed envelope to the above address marked 'application request'
For any questions please contact artistsandarchive@lux.org.uk

Wednesday, November 20, 2013

Journalism Fellowships at the Reuters Institute, University of Oxford

Applications are invited for the 2014/15 Journalism Fellowship Programme at the Reuters Institute, Oxford University.

The program gives visiting journalists from around the world an opportunity to critically reflect upon their profession, to research a subject of their choice under the supervision of an academic specializing in that area, and to enjoy the breadth of academic, cultural and social life at the University of Oxford.

Applicants must have a minimum of 5 years’ experience in journalism and good spoken and written English. This is not a degree program but fellows are expected to write a substantial piece of research of publishable quality.
The fellowships, which commence from October 2014, include the Thomson Reuters Foundation Fellowships, Gerda Henkel Fellowship in the field of Humanities, Said-Asfari Fellowship for journalists from the Levant and the Wincott Fellowships for Eastern European business / economic journalists.

The deadline for receipt of applications is Jan. 31, 2014. For more information:
http://reutersinstitute.politics.ox.ac.uk/fellowships/overview.html

Monday, November 18, 2013

Artists' Residencies in the Community at Highgreen in rural Northumberland

Artists' Residencies in the Community 2014 and 2015 - Applications are welcome; deadline 6th January 2014
VARC’ is inviting visual artists to apply for twelve-month residencies at Highgreen in rural Northumberland.  The Trust is hoping to appoint two artists from applications submitted; one artist to hold the resdiency staritng 2014 and another artist to hold the residency starting October 2015.
Aims
VARC's primary aims are to:
• Promote interest, awareness and understanding of visual arts in a rural community through engagement with an artist
• Develop visual arts projects in rural communities
• Offer a unique opportunity to an artist wishing to develop his or her practice by working and living in a remote rural community
The Residency
VARC is looking for:

artists who feel that 12 months spent living in an isolated rural location will significantly benefit their practice.  Although the Trust feels that artists who might most benefit are those who have lived in an urban or city environment, artists will be considered regardless of their current location as long as they can explain how this would benefit their practice.  The length of the residency is one year, as this would allow the artist to experience the full cycle of seasons as well as the time for the rural community and environment to have an impact on the work.  However in exceptional circumstances six month residencies are not ruled out.  The aim is to give the artist a unique opportunity to concetrate on his/her practice in a remote setting, away from the constraints of city life.  It is hoped that this experience will have a lasting effect on the artist.
artists who want to be part of a community and who enjoy contact with people.  The resident artist is expected to spend at least 15 days during the year delivering projects.  Planning and preparation time would be extra to these days.  What form this work would take would depend on the artist the nature of his or her work but could include projects with specific groups, open studio days, practical sessions, talks and participation as Artist in Residence in local events.  The Trust hopes that the experience of having a prctising artist living and working in this rural community will offer people an insight into how professional artists work as well as adding an enriching creative element.

Information 
In addition to work in the community the artist  produces a body of work for an end of year exhibition to be held at Highgreen. The artist is contracted to spend a minimum of 22.5 hours per week on work for the exhibition and the community aspects of the residency, but VARC would expect that to fully utilise the opportunity and integrate with the local community, the artist would wish to devote their time fully to the residency. There is a part-time member of staff to support the artist, liaise between the artist and the Trust, arrange community projects in consultation with the artist, promote the artist’s work and the residency, produce the catalogue, help organise the exhibition and facilitate other avenues the artist may wish to pursue. The artist is contracted to provide documentation about the experience of the residency in an agreed format.
Accommodation
The residency is based in converted stable buildings, part of the estate of Highgreen in the North Tyne. Highgreen is remote with stunning views across the moors. There is an immediate community of about 20 people. The hamlet of Greenhaugh with an inn is about three miles away and a mile beyond this at Lanehead there is a village hall. The local shops are in Bellingham, some 10 miles away and Newcastle is 40 miles away. The artist will need to have a car.
There is a 498 sq ft studio for the sole use of the artist, as well as fully-furnished one-bedroomed living accommodation. Heat and light for the studio and flat are included and council tax is paid by VARC. Telephone line rental (including broadband internet access) and printer will be provided but the artist should bring his/her own computer and will pay for phone calls.  
Financial package 
• £9,000 per annum artist’s fee and materials
• Materials and expenses for community projects are paid for separately by VARC
• A catalogue will be produced
• Reasonable costs associated with the exhibition (transport, presentation of work) is paid
• Accommodation (flat and studio) worth £6,000 per annum
• The studio is equipped with basic tools and furniture
Criteria on which shortlisting is carried out is as follows:
• Strength of work
• Need/desire for the opportunity
• Experience of, and enthusiasm for, working with people
• Commitment to living at Highgreen
Final selection of artists is also influenced by the desire to create a balance across media and artistic approach from one year to the next.
Applications
Applications are invited from professional visual artists with three or more years of proven work outside full time education. Artists working in two or three dimensions in any medium/material as well as those working in new media, land art, installation work etc are welcome to apply.  An exhibition record and a desire to work in community settings are essential.  The artist should have a strong visual language and a commitment to living and working in a secluded rural environment.  

To apply please sent:

  • Between 10 and 20 images on CD with titles, dates, dimensions and descriptions on a separate sheet.
  • OR clips on DVD totalling no more than 10 minutes duration if this format is more appropriate.  Any applicant who submits clips of more than 10 minutes duration in total will not be considered.
  • A CV
  • A written statement describing the artist's work and reasons for applying for the residence with regard to the criteria listed above and a brief outline of community work experience.  This statement should be no more than two pages in total.  Any applicant who submits a statement longer than this will not be considered.
  • Two referees (to be followed up if shortlisted).
  • A SAE for the return of material (if you would like these returned).
  • An indication whether you are applying for the residencey 2014 - 2015 or 2015 - 2016 or both.

Applications made by email will not be accepted.

Please send applications to:

Janet Ross, Project Director, VARC, Dovecote office, Highgreen, Tarset, Hexham, Northumberland, NE48 1RP.

For further information about Highgreen see www.highgreen-arts.co.uk 

For information about Tarset see www.tarset.co.uk

Deadline for applications 6th January 2014

Interviews will be held in March 2014

Tuesday, November 12, 2013

Beam Time: artist's research residency at Central Laser Facility

The Arts Catalyst and Artquest are pleased to announce a new artist research residency at the Central Laser Facility, Oxfordshire. The residency aims is to give an artist the opportunity to develop their practice (and potentially a new body of work) through a period of research and engagement with science specialists. The artist will have access to staff and research at the Central Laser Facility, making at least 10 visits between February to May 2014, and be required to present their work and research in a public facing event in May 2014.



Developed using ideas proposed by Einstein in 1917, laser technology has evolved into a huge variety of fields, with applications reaching almost every aspect of society as well as shining a light on fundamental concepts in chemistry, biology and physics.
The Central Laser Facility produces some of the world’s most powerful light beams, providing scientists with an unparalleled range of state-of-the-art laser technology. These high-powered lasers can be used, for example, to recreate the extreme conditions inside stars and planets by focusing pulses down to a tiny spot where the temperature reaches millions of degrees and the pressure rises to billions of Atmospheres. In contrast advanced, compact, tunable lasers can reveal intricate detail on a microscopic scale enabling scientists to build up a complex picture of the exact molecular interactions that lead to disease, and laser beam 'tweezers' are capable of holding individual micro-droplets that make up clouds helping scientists gain an insight into climate change.  The laser pulses are so short that they can even take snapshots of chemical reactions in action and electricity travelling through material.

On Offer

  • £3000 artist fee
  • £350 travel expenses
  • £1000 for an event related to the research conducted
  • Curatorial and professional development support and opportunities from both The Arts Catalyst and Artquest staff
.

Key Dates

Deadline for Applications: Monday 25 November 2013
Shortlist Interview: Wednesday 11 December 2013
Successful candidate announced: Monday 16 December 2013.
Research Residency Period: February – May 2014
End of Residency/Public Event: Spring 2014

Eligibility

Any visual artist living and working in England who has been practising outside of undergraduate education for a minimum of 5 Years is eligible to apply. Applicants may not be enrolled on a course of full-time or part-time study during the residency period.

To apply

For detailed information on the residency and how to apply please download: Beam Time application procedure
Supporting information about Central Laser Facility

Partners and Funders

Artquest is an organisation dedicated to supporting artists at all stages in their careers. It does this by connecting them to the resources, networks and opportunities they need to develop their practices and creating projects and events for the benefit of artists and their work.
Beam Time is a part of KiiCS (Knowledge Incubation in Innovation and Creation for Science) - a 3-year European Commission-funded project which is supported by the European Commission Seventh Framework Programme.
Central Laser Facility STFC Rutherford Appleton Laboratory, Harwell Oxford, Didcot, Oxfordshire

Tuesday, October 22, 2013

ONSITE residency 2014 (UK)

http://www.t-a-p.org.uk/onsite-residency.html



Temporary Arts project Ltd, (TAP) are pleased to announce the return of our ONSITE residency for 2014,  selected by Andrew Hunt and Mike Nelson.

This opportunity is open to artists working in all media at any stage in their career, and is perfect for an ambitious artist or an artist group who is ready to take their work to the next level.

The residency will be based at TAP in the Winch Room - an unusual space that once contained a well.  Although the well is now capped and hidden under the floor, the old Victorian winching system still looms overhead at an epic 8.5m high.

Andrew Hunt and Mike Nelson will select a shortlist of artists from the ONSITE submissions. Shortlisted artists will take part in a group exhibition, from which the resident artist (or artists group) and a new runner up cash prize of £500 will be awarded.

Residency details:

The resident artist(s) will have sole use of the Winch Room space at TAP, during the residency and the final exhibition. The successful artist(s) will also be invited to discuss the prospect of using other parts of our large main gallery space.

Other facilities and equipment will include:


  • Use of the TAP facilities including: Printmaking Room, Design & Editing Suite and Dark Room
  • Use of TAP AV equipment including monitors, data projectors, DVD players, speakers 
  • Use of TAP Tool Kit and ladders
  • Wireless Internet access
  • Access to social spaces including kitchen 

The resident artist (artists group) will be supported by:

  • A £1,000 prize money
  • Help towards accommodation and travel expenses in/to Southend on Sea of up to £1,500
  • Assistance towards solo exhibition production and/or limited edition/publication  costs
  • Marketing costs of related events and solo exhibition
  • Presentation of the work in form of artist talks and workshops
  • Ongoing advice and support from gallery staff

Please note, we expect the successful artist(s) to commit to being on-site at TAP for at least one month of the residency.

The successful artist(s) will also be invited to take part in a variety of extended programme and events. There will also be opportunity for peer support and opportunities to meet with TAP’s own studio artists, other local artists, art initiatives and curators.


Applications are welcomed from all artists(s) based in the UK and overseas. 

Tuesday, October 1, 2013

Call for proposals The Photographer's gallery London

Call for proposals

Animate Projects and The Photographers’ Gallery are inviting proposals for an artist to make work for The Wall at the Photographers’ Gallery and online at Animate Projects.

Background

Happenstance brings together the UK’s leading organisations for two popular, related visual artforms – photography and animation. The historical relationship between photography and animation (Eadweard Muybridge) and the tensions between still and moving are now encoded into DSLR cameras (capable of higher frame rates than traditional DV cameras). In everyday life, screen technologies have already altered the ways in which the visual image is made present and play a significant role in mediating public life. These are some of the considerations that we hope to explore in contextualising the project and exploring ideas of digital production and spectatorship.
The Photographers’ Gallery was the first independent gallery in the UK devoted to photography and has been instrumental in establishing photography’s important role in culture and society. It is the UK’s primary venue for photography with a mission to support a varied and distinctive engagement with the artform.
Animate Projects champions experimental animation, supporting artists to experiment and take risks, and working across the contemporary visual arts, animation, film and design, and where those practices intersect. Animate Projects has pioneered the exhibition of artists’ moving image through online and digital platforms. animateprojects.org is a unique resource, presenting experimental animation and a wealth of related material, in a curated context.
Happenstance builds on the synergies between the two artforms and both organisations’ curiosities about how people interact with public screens and digital images. The Wall is a 2.7 x 3m video wall in the foyer of The Photographers’ Gallery, visible to everyone visiting the building and passing by. For the Gallery, The Wall forms part of a collaborative research programme exploring issues concerning the digital image, its dissemination and display on-screen.
A particular aspect of The Wall is its specific context within a photography gallery and we want the project to further critical debate around medium specificity, digital culture, and the relationship of photography to 'animation' in ‘on-screen’ contemporary visual culture.

Brief

The commission is open to UK based artists working in photography and moving image. Our priority is to commission work that responds to the public and online contexts in which the work will be situated, and which explore photographic and animated moving image practice in inventive and interesting ways.
Please see below for technical information about The Wall. We will provide advice, support and assistance to the commissioned artist.
We are open to discussion as to what the online presentation of the project will comprise, eg a single channel version of the work, or a series of tests or other material. Online, the project will be presented on its own page (for example, here).
For exhibition at The Photographer’s Gallery the work will be silent, but the online version can be silent or with sound.
We are offering £5,000, to include all production, clearances and delivery costs and an artist’s fee. We will require commissioned artists to provide production materials (eg sketches, tests) and to undertake an interview for online, a digital image for a limited edition print, and to take part in a panel discussion.
We will contract the selected artist by the end of October 2013, and the completed work must be delivered by 17 December 2013. The work will be exhibited at The Photographers’ Gallery from 17 January 2014 for approximately 10 weeks.

Submission

To submit a proposal, please send us the following (as Word docs or PDFs):
  1. a one page CV
  2. a short statement about your practice and a brief outline of your interest in, and approach to, the commission (not more than one side A4)
  3. a proposal (not more than one side A4)
  4. any additional visual material
  5. any links to previous work or information about your work
In your proposal, please tell us your idea, and give us a clear indication of work you’re proposing to make, including visual style and technique, and provide any key production information eg collaborators, other assistance, etc.
The deadline for submissions is 10.00 on Fri 11 October 2013.
Email your submission to happenstancecommission@gmail.com
Please note that we may invite shortlisted artists to discuss their project on 21 October (in person or by Skype).
The selection will be made by Katrina Sluis (Curator, Digital Programme, The Photographers' Gallery) and Gary Thomas (Director, Animate Projects).
We will inform people of our decision by 25 October 2013. Please note that we are unable to offer feedback on unsuccessful proposals. If you have any questions please email gary@animateprojects.org

Tuesday, August 27, 2013

PHYNANCE RESIDENCY OPEN CALL


Deadline 8th September '13
In partnership with the Barry Flanagan Foundation, Flat Time House is accepting applications for an artist's residency to begin in November 2013.

FTHo, the former home and studio of artist John Latham, which he designated a 'living sculpture', will operate as a base for interrogating sculpture as a subject of research, rather than a static artform or medium. The residency will involve time spent in the John Latham and Barry Flanagan Archives.

The play of shifting dimensions and the play of paradox inherent in the work of Barry Flanagan was reflected in his interest in 'pataphysics, a science that rests 'on the truth of contradictions and exceptions', a systematic approach to undermining all systems that is also reflected in the work of his former teacher John Latham. PHYNANCE, named from a pataphysical reference in a drawing by Flanagan aims to continue and facilitate such approaches to sculptural production.

The selected artist will be provided with accommodation, studio, stipend and a production budget towards new work. The artist will be selected from an open call, with the 4 month residency resulting in a public exhibition and publication in 2014. We are seeking applications from artists who have been working professionally for 5 years. We welcome international applications.

The residency selection panel consists of Mike Nelson (Artist) Jo Melvin (Barry Flanagan Foundation), Claire Louise Staunton (Curator, FTHo) and Jon Wood (Research Curator, Henry Moore Institute).

The residency includes a 2000 pound budget towards the production of new work, a 2000 pound stipend and up to 350 pounds towards travel expenses. Flat Time House will offer a self contained artist's residence with en-suite bathroom. Adjoining kitchen facilities are shared with FTHo's staff.

The deadline for applications is September 8 2013. The residency is to begin late November 2013 and run until late March 2014.

Artists will be judged primarily on the quality of their work, but also on the potential of their practice to translate into a new body of work that re-examines the role of sculpture.

Please email info@flattimeho.org.uk with a single pdf file no larger than 3mb containing:

- Statement outlining the proposed direction of research and development of new work during the residency (max 500 words)
- General statement on your practice (max 500 words)
- CV
- 12 images max of recent work and/or links to audio visual work hosted online

OR send us a data CD containing a single pdf (with the above information) and sound/video files to arrive no later than September 8 2013. Please post to Flat Time House, 210 Bellenden Road, London SE15 4BW

Wednesday, July 17, 2013

The Telfer Gallery Call for Proposals

  • Location: Glasglow, Scotland
  • Deadline: August 16, 2013
  • Duration: February-December 2014
  • Eligibility: Open to any applicant from all creative disciplines
  • Costs & Support: Gallery space will be provided at all times
  • URL: http://www.the-telfer.com/opportunities/
We are currently seeking proposals for new work to be considered for our 2014 programme. Residencies/exhibitions will run between February and December 2014. We welcome applicants from all creative disciplines.
The Telfer Gallery provides a platform for focused experimentation as well as a space for artists to explore and expand their practice. Each selected individual or group will be offered a period of residency in the space preceding an exhibition, which will be arranged in conversation with the committee.
The Telfer Gallery will provide the following:
  • A 60 square metre gallery space
  • 24-hour access to gallery space
  • A support network encompassing two project managers, gallery committee, and the surrounding 31 artist studios placed within the building
  • Marketing and promotion of events including printed materials
  • Optional discussion groups and critical development workshops
  • Technical and installation support
For more information: http://www.the-telfer.com/opportunities/

Monday, July 15, 2013

PHYNANCE RESIDENCY OPEN CALL


23rd June—8th September '13
In partnership with the Barry Flanagan Foundation, Flat Time House is accepting applications for an artist's residency to begin in November 2013.

FTHo, the former home and studio of artist John Latham, which he designated a 'living sculpture', will operate as a base for interrogating sculpture as a subject of research, rather than a static artform or medium. The residency will involve time spent in the John Latham and Barry Flanagan Archives.

The play of shifting dimensions and the play of paradox inherent in the work of Barry Flanagan was reflected in his interest in 'pataphysics, a science that rests 'on the truth of contradictions and exceptions', a systematic approach to undermining all systems that is also reflected in the work of his former teacher John Latham. PHYNANCE, named from a pataphysical reference in a drawing by Flanagan aims to continue and facilitate such approaches to sculptural production.

The selected artist will be provided with accommodation, studio, stipend and a production budget towards new work. The artist will be selected from an open call, with the 4 month residency resulting in a public exhibition and publication in 2014. We are seeking applications from artists who have been working professionally for 5 years. We welcome international applications.

The residency selection panel consists of Mike Nelson (Artist) Jo Melvin (Barry Flanagan Foundation), Claire Louise Staunton (Curator, FTHo) and Jon Wood (Research Curator, Henry Moore Institute).

The residency includes a 2000 pound budget towards the production of new work, a 2000 pound stipend and up to 350 pounds towards travel expenses. Flat Time House will offer a self contained artist's residence with en-suite bathroom. Adjoining kitchen facilities are shared with FTHo's staff.

The deadline for applications is September 8 2013. The residency is to begin late November 2013 and run until late March 2014.

Artists will be judged primarily on the quality of their work, but also on the potential of their practice to translate into a new body of work that re-examines the role of sculpture.

Please email info@flattimeho.org.uk with a single pdf file no larger than 3mb containing:

- Statement outlining the proposed direction of research and development of new work during the residency (max 500 words)
- General statement on your practice (max 500 words)
- CV
- 12 images max of recent work and/or links to audio visual work hosted online

OR send us a data CD containing a single pdf (with the above information) and sound/video files to arrive no later than September 8 2013. Please post to Flat Time House, 210 Bellenden Road, London SE15 4BW

Monday, July 8, 2013

UK Artists' international development fund



The programme is open to artists of any artform:
- who have received recognition for their work in England
- who do not have extensive international experience
- whose work will benefit from launching better international networks - either artistically or in terms of developing an audience for their work
- who can demonstrate an interest in their work from an overseas partner/host

Individual artists, including creative producers, curators and editors, can apply. Although the Artists' international development programme is aimed at individual artists, small groups of artists who normally collaborate in their work can also apply. This could include, for example, musicians and visual artists who usually create work together, or writers and their translators. If the group does not have a shared bank account, awards to successful applicants would be made to the lead artist named on the application form, but all members of the group would be jointly responsible for the award.


Arts Council England

Contact:
http://www.artscouncil.org.uk/who-we-are/contact-us/

http://www.artscouncil.org.uk/funding/apply-for-funding/strategic-funding/grant-programmes/artists-international-development-fund/how-apply/

Wednesday, May 15, 2013

Jerwood Open Forest

Jerwood Open Forest is an exceptional new opportunity to make proposals for a major £30,000 commission.



Jerwood Visual Arts & Forestry Commission England open up England’s Public Forest Estate to visual artists.
There is no brief. The forests are open for your ideas. This is a call for bold, broad–thinking proposals that explore the potential of forests as sites for art.
For full information: www.jerwoodvisualarts.org
To apply click here
Twitter: @JerwoodJVA #JOF14

Tuesday, April 16, 2013

Summer Residency and Solo Exhibition (Deadline: Apr 21st, 2013 )

We’re pleased to announce that applications for our summer residency and solo exhibition are now open, and will be selected by Helen Legg, Director of Spike Island, Bristol.
The summer residency runs for one month, from 25 July to 22 August 2013, and aims to provide a supportive environment in which to make new, exhibition standard work. To offer critical input during this intense period of development, Helen Legg will visit the selected artist in the studio during their residency. The residency is followed by a 3 week solo exhibition at The Lombard Method. There is an artist fee of £700, accommodation provided in Birmingham, and £400 available for materials and travel.
The residency studio at The Lombard Method has 24 hour access and includes wifi, and basic workshop and kitchen facilities. Housed alongside our 12 artist studios, you will be expected to be onsite for the majority of the residency. The selected artist will be supported by the directors of The Lombard Method and will have access to technical support during the exhibition install.
To apply, send the following to info@thelombardmethod.org, by 21 April 2013:
· Artist statement outlining your practice (500 words max)
· A proposal stating the work you intend to develop during the residency, your approach to the exhibition, and why this opportunity is suited to you at this time (500 words max)
· Up to 10 images of recent work, or a 5 minute showreel of moving image/audio work (Where possible please send links to online documentation)
· Details of the work included (title, year of production, materials)
· Artist CV

The Lombard Method is an independently run studio and project space led by five Birmingham based artists, inaugurated in 2009. The Lombard Method aims to develop artists practice through critical dialogue, group interaction, and to engage with other artists and audiences through a programme of residencies, exhibitions, and events.

Wednesday, December 26, 2012

BE Festival Visual Arts Residency

 http://befestival.org/festival/visual-arts/

The festival’s visual arts programme takes place over two years. It incorporates the work of UK-based (particularly focusing on Midlands artists) and an international artist based in Europe. Each two year cycle explores a particular theme. With this purpose we open a bi-annual call for:
- UK-based visual artists from different disciplines to present work at AE Harris during the festival. The three artists whose work best embodies the programme’s theme will be selected.
- A European-based artist to carry out a residency at the festival which takes inspiration from the event, and the theme, with particular focus on BE-Mix, and in response develops a project during the year that is presented at the next festival.
BE FESTIVAL’s ethos of ‘crossing borders’ attempts to show the shifting notions of what constitutes a border. According to TJ Demos “with the eventual crisis of globalisation and the failure of many of the promises of neo-liberal capitalism, we have seen borders emerge everywhere. For many, that has been a poignant sign of global inequality.”
Borders are new conditions that increasingly define and divide our lives politically, economically, and socially. We could also add artistic and linguistic borders. Classification and labeling are artifices created to define concepts but hence divide them. BE FESTIVAL aims to devise a collective experiment that combines utopian aspirations with critical awareness.

Exploring Borders and Issues

BE FESTIVAL explores the ‘borders’ between performative and visual arts. In this regard, the festival presents performative and visual arts as applied forms inserted in a ‘social sculpture’ –using Joseph Beuys term –, that challenge assumptions about who is performing, who is taking part and who is viewing as part of a holistic and collective experience.
All events take place in a versatile old factory: a temporal and spatial framework that embodies the ephemeral. Exchange, open-endedness, collaboration, participation and activation are also core concepts of BE FESTIVAL.
In 2011, we pushed our boundaries a little further and opened a call for proposals from visual artists that best embodied the ethos of BE: to cross borders. The programme crossed the borders between ‘plastic’ and ‘performed’ work and explored the cross-fertilisation of ideas between artforms.
In 2011 – 2012, we explored the concept of identity.
In 2013 – 2014, we will explore the concepts of money, transaction and alternative currency.