Wednesday, December 30, 2015

Rejmyre Art LAB's residency program

Rejmyre Art LAB's residency program is run and constructed by artists in response to our own needs and changing modes of production. Our residencies often consist of a mix of dedicated time for developing ideas and work, collaborative exercises, intensive peer critique, theoretical discussion groups, communal meals and play. 

While many residency programs are rooted in notions of isolation, our emphasis is placed on engaging the "local context" of each residency as fuel and material for artistic development.  The "local context" is understood to include the residency itself [as a structure imposed on a site], the people, place and histories surrounding the residency, the community of practitioners assembled and each participant's experience of displacement into the given moment.

Rejmyre Art LAB aims to support a range of contemporary artistic processes, many of which present significant challenges to the image of the isolated artist in their cloistered studio.  Participants in our program create conceptual propositions, objects, and temporal works situated in public and private spaces.  To support this range of work, we craft and maintain a network of local connections to facilitate social access and a mix of public and private studio spaces, making our open studio space accessible to the public while still allowing for the intensive engagement with self and site that a solitary studio engenders.

As this is a very special program [as far as we know, requiring an unprecedented commitment, in the world of residencies, on the part of the [P]resident and hosts], we have decided not to have a formal application process but prefer to construct one with each interested person or group.

Some things that might be helpful to know, we are an artist-run organization composed of artists who live in or near Rejmyre. We treat this residency structure itself as an art project. This is not a business venture nor is it supported or constrained by any grantors, governments or corporations. We have no staff for this portion of the project.
As for the technical details, we would work with the selected [P]residents to consider the form and means by which they would like to travel to Rejmyre for the two-year residency period. There is no per diem or formal material budget available. We run a number of projects in the town and there will be opportunities to participate in those but [P]resident’s are responsible for their own sustenance [material, spiritual and otherwise, aside from the apartment and studio space], during the term of their unmediated presence in Rejmyre.

This is a special construct that will not be right for most people, maybe for no one. We’ve structured it with a mix of pragmatism and conceptual integrity. An institution with a bigger budget could make it easier financially but they would probably never desire, imagine or create such a space. We are ready to imagine and create how this structure could be possible together with you. If after reading this, you are still drawn to this invitation, please write:

Tuesday, December 29, 2015

Visual Arts in Rural Communities

Each resident artist develops a body of work for exhibition at the end of the residency and engages with individuals and groups from the area and further afield through workshops, open studio days, artists’ talks and other events.
VARC looks for artists who feel that twelve months spent living in an isolated rural location will significantly benefit their practice and who enjoy contact with people and want to be part of a community.

Monday, December 28, 2015

Sci-Fi and the Human Condition Thematic Residency

Residency Dates: September 7 – November 18, 2016

Application Deadline: January 8, 2016
Artists-in-Residents Selected: 9
Bemis Center for Contemporary Arts is now accepting applications for the 2016 Sci-Fi thematic residency. This is an international open call and contemporary artists from all backgrounds and areas of practice are encouraged to apply. This is a process-based residency; there is no obligation or expectation to complete and/or exhibit a body of work. This residency aims to put into conversation artists who work in like-minded subject matter and interests. Through this call, the Bemis Center will construct a cohort of artists interested in the human condition when exploring issues of race, class, and gender through futuristic lenses.
Applicants should demonstrate an interest in the research, development, or execution of work that explores the theme of science fiction, defined or identified through its motifs and relationship to past sci-fi film and literature, magical realism, dystopian and utopian futures, robots, alternate timelines, transhumanism and bodily transformation, space opera, afrofuturism, futuristic identity as explored by costume and dress, the post-apocalyptic world, threats to territory and frontier, outer space, and investigations in artificial intelligence.
The Bemis Center provide vast installation space for experimentation, 24-hour access to the Okada Sculpture and Ceramics Facility, a woodshop, introductions to other area partnerships and organizations, and the Clare Haas Howard Research Library including over 2,500 art books and periodicals.  Live/work studio spaces range from 820–2,400 square feet complete with a private kitchen and bathroom.
Residency opportunities are open to national and international artists 21+ years of age, showing a strong professional working history. A variety of disciplines are accepted including, but not limited to, visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, music composition, and choreography.  Bemis welcomes internationally based artists to apply. A working knowledge of English is helpful for international artists as an interpreter will not be provided.
Bemis Alumni are allowed to re-apply for residency after a three year hiatus from the program. Alumni seeking residency must submit a complete application including recent work samples and current resume. Preference may be given to applicants who have not previously attended.
Artists applying to Bemis Center should not be enrolled in an academic program or currently teaching, adjunct or otherwise, during the residency timeline.
Applications consisting of small collaboratives (2-3 total members) are eligible to apply. Each artist included in the collaborative must submit a resume.
Artists-in-residence are encouraged to participate in the Bemis Center Open House/Open Studios program, where artists open their studio doors to provide the public a glimpse into their process. Artists may be invited to participate in other public engagement programs such as a workshop, talk, or live performance.
Bemis Center for Contemporary Arts is committed to a policy of nondiscrimination and equal opportunity for all persons regardless of race, sex, color, religion, creed, national origin or ancestry, age, marital status, sexual orientation, gender identity, gender expression, and disability.
Applications are due via SlideRoom:
FAQ’s available HERE
Fees and Stipend
A $40 non-refundable application fee is due at the time of application paid via credit card or by PayPal. Submission of applications are only accepted online through
Selected artists-in-residence will receive a $1,875.00 stipend for the ten-week session.
Bemis Center is not responsible for artist’s travel to Omaha to attend the residency.
Application Checklist
1.    Resume
2.    Are you a collaborative group? If yes, include resumes of all members

3.    Artistic Discipline
4.    Website
5.    Are you a Bemis Alumni?
6.    Please list two references
7.    Up to 10 Image/Media Samples
8.    Artist statement (250 words)
9.    Residency Objectives (250 words)
10.  Specific resources you may require while in residency necessary to your studio practice
For more information, contact Holly Kranker, Residency Program Manager, at 402.341.7130 x 12 or at

Thursday, December 24, 2015

call for applications: spaced 3 residencies

International Art Space (IAS) is calling for Expressions of Interest (EOIs) from Australian and Nordic artists working with visual, digital and hybrid media who are interested in participating in spaced 3: north by southeast, the third iteration of spaced, IAS’s recurring international event of context-responsive art.
Spaced 3: north by southeast is centred on an artists’ exchange between Nordic and Australian visual artists and communities, exploring the significant cultural, social and environmental parallels between the two regions. The program will comprise a cycle of 12 residency-based projects, and a final group exhibition. Residencies will run from July 2016 to December 2017 and take place in regional, remote and outer-urban locations in Denmark, Sweden, Finland, Iceland and Western Australia.
We are seeking to work with contemporary artists interested in creating context-responsive works that explore local issues by placing them in a global context.
Expressions of interest are due on Monday 11 January 2016

Wednesday, December 23, 2015

International Fellowship Program for Art and Theory 2016–17

Closing date for submissions (postmark): Fri January 29, 2016

Künstlerhaus Büchsenhausen invites visual and media artists, art critics, theorists, and curators to apply for a fellowship in 2016–2017. Candidates can apply for one semester (October 3, 2016 – February 12, 2017 or February 13, 2017 – June 24, 2017). The fellowship can be split across two semesters. 


Künstlerhaus Büchsenhausen is a post-graduate center for production, research, exchange in the fields of visual arts and art theory. Within the framework of the International Fellowship Program for Art and Theory, the Künstlerhaus provides a platform that facilitates the development and production of artistic and art-theoretical projects in a critical context. At the same time, Künstlerhaus Büchsenhausen offers a forum for direct exchange between professionals – artists, theoreticians, critics, and curators – from the region and abroad, as well as a point of interaction with local interested audiences. Künstlerhaus Büchsenhausen is affiliated with the Tyrolean Artists' Association, the major association of visual artists from the region. 

Büchsenhausen brings together two programs under one roof. On the one hand, it is the site of the International Fellowship Program for Art and Theory. On the other hand, it is the location of several studios for artists based in Tyrol who require space for working in a professionally interesting environment. Three apartment studios are used by the participants in the fellowship program. The other six studios are available to artists based in Tyrol. The project and presentation space is equipped with multimedia facilities and is at the fellows' disposal. The space was designed by Atelier van Lieshout. 

International Fellowship Program 

With its Fellowship Program for Art and Theory, Büchsenhausen promotes internationally relevant artistic production, research, and discussion in the region of Tyrol. The program is based on the idea of generating and maintaining a context for production and discussion, in which artists and theorists can connect and reflect on international art and societal discourses in relation to local topics and issues. At the same time, it affords the opportunity for an artistic laboratory of experimentation, where new artistic practices and strategies may be tried out. 

The program's aims are: 
* to promote and relay a critical, socially relevant production of knowledge in art and art theory; 
* to produce, through the fellowship projects, qualified discourses on art and society within the local and global contexts; 
* to enable the transfer of knowledge between the field of art and other publics outside the art context; 
* to facilitate the exchange between cultural producers in the visual arts and beyond (creating a network of experts). 

The program combines the advantages of a residency with the possibilities of a postgraduate, non-university lectureship on the basis of an open, non-formalized structure. In terms of content, the program addresses a worldwide public made up of professionals in the fields of contemporary art, architecture, art and media theory, and criticism. 

The fellows are selected by a jury of experts following an open call for applications. They come to Büchsenhausen for one or two semesters to work on realizing their proposed undertaking, and accompany this process with public events. For this purpose, Büchsenhausen offers a monthly stipend, a production budget, working spaces, free lodging, and artistic and technical advice. 

The conveyance and discussion of the fellow’s own work occurs parallel to the development of the individual proposals. The public events take place in series. The focus of these series of events is determined by the respective emphases of the various fellows' works. Within the framework of this discursive format, the fellows (or their guests) can present various points in their investigations, open up their works-in-progress to critical discussion, interact with experts who they invite, work through content with the public, and/or try out new ways of working. The fellowship year ends with a group exhibition curated by the director of the Fellowship Program. 

For former and current fellows and their realized work please visit the navigation point Fellows


> a grant of EUR 3,150 to cover the costs of living during the period of residency in Innsbruck; 
> an individual studio for working and living, furnished with a large shared kitchen; 
> a production budget for the realization of the submitted proposal; 
> a budget for inviting experts to Büchsenhausen for the purpose of professional exchange; 
> the opportunity of a group exhibition at the end of the fellowship at the Kunstpavillon in Innsbruck. 


> free access to the 'Lab', the project/gallery space; 
> free use of the available multimedia production equipment in the 'Lab'; 
> free DSL/WLAN Internet access; 
> professional artistic advice; 
> technical advice if required. 


Professional visual/media artists, art theorists, art critics, and curators from all over the world are eligible for the fellowship. 


The application must include a concrete work proposition. Work on the submitted proposal forms the core of each fellow's activities during his/her stay in Büchsenhausen. A description of a series of public events intended to accompany the individual work during the duration of the fellowship (up to four events) is also an integral part of the working proposal. If the application is successful, the fellows are required to specify the details of the presentation series and carry out the proposed program. 

The fellows declare themselves willing to be present at Büchsenhausen for the duration of the fellowship. Working knowledge of English is required. 


The selection of fellows is made by a jury of experts and based on the quality, originality, and relevance of the proposed undertaking and the work samples submitted by the applicants. The jury includes the director of Künstlerhaus Büchsenhausen, a member of the advisory board at Künstlerhaus Büchsenhausen and one external expert. 

The selection procedure occurs in two stages. 

In the first stage, the submitted applications are evaluated and the jury makes a shortlist of candidates who will be invited to Büchsenhausen for personal interviews. 

The personal interview with the jury forms the second stage. For the interview, the applicants have to come to Innsbruck to personally present their working plans and aims during the fellowship. Büchsenhausen will pay for accommodation in Innsbruck for one night, but cannot cover the costs for travel to Innsbruck. Alternatively, a video conference (for instance via Skype) is also possible. 

There is no legal right to be awarded a fellowship at Künstlerhaus Büchsenhausen. The jury is therefore under no obligation to justify decisions. The jury's decision will be communicated in written form in March 2016 (first stage) and April 2016 (second stage). 

Application procedure 

Applications are to be written in English or German. Applications must include the following documents: 
> the working proposal (max 2,000 words, 3 copies) 
> a visual portfolio/documentation of recent works (artists: The artistic portfolio can be submitted in paper form, on DVD or CD, or digitally via a link (max 2 catalogs, max 10 photos, 1 DVD/CD-ROM); theorists/art critics: 1 recent writing sample, 3 copies) 
> a curriculum vitae (3 copies) 
> the printed confirmation e-mail of the filled electronic application form (1 copy) 

Please note: with the exemption of artistic portfolios, all application documents must be sent by post. 

The address to which the applications must be posted is: 

Künstlerhaus Büchsenhausen 
Ref.: "Fellowship 2016-17" 
Weiherburggasse 13 
6020 Innsbruck 

Closing date for submissions (postmark): Friday, January 29th, 2016 

A collection of the most frequently asked questions (and their answers) can be found in the FAQ - area

For additional information, please contact:, phone +43 512 278627, fax -11.

Tuesday, December 22, 2015

Visiting Research Fellowships – Henry Moore Institute, Leeds

The Henry Moore Institute is a world-recognised centre for the study of sculpture. We host a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of historical and contemporary sculpture.

Each year we offer a number of Fellowships to enable researchers of different backgrounds and disciplines to develop their work. Research Fellowships are intended for artists, scholars and curators working on historic and contemporary sculpture who can make particular use of the Institute’s resources: our Research Library, Archive of sculptors’ papers and the Leeds sculpture collections.

Up to four Research Fellows will be given the opportunity to spend a month in Leeds. In addition we will support up to two six-week Senior Fellowships, which are intended to give established scholars time and space to develop a research project free from usual work commitments.

Both Fellowships provide accommodation, travel expenses and a per diem.

For more information on the Henry Moore Institute Research Fellowships visit our website

To apply for either Fellowship forward a letter of application, a 750-word research proposal, that also indicates how you will use our resources, and a CV by Tuesday 1 March 2016 to kirstie(at)

Monday, November 30, 2015

Center for Creative Photography, University of Arizona, Call for Applicants: Seven Research Fellowships, 2016

Deadline for all seven fellowships: January 15th, 2016
Advanced scholars and researchers from any discipline are encouraged to apply. Pre-doctoral applicants must have completed coursework and preliminary examinations for the doctoral degree and must be engaged in dissertation research. No fees to apply.
Milton Rogovin Research Fellowship: Awards up to $5,000 to support research into the art and career of Milton Rogovin (1909-2011) and socially concerned photography.  Link
Josef Breitenbach Research Fellowship: Awards up to $5,000 to support research into the art and career of Josef Breitenbach (1896-1984) and as his work and archive relates to other works and archives in the Center’s collections.  Link
Edward Weston Family Research Fellowship: Awards up to $5,000 to support research on the art, career, and influence of Edward Weston (1886-1958), his family, models, and friends.   Link
Todd Walker Research Fellowship: Awards up to $3,500 to support research into the art and career of Todd Walker. Link
Ansel Adams Research Fellowship: Awards up to $5,000 to promote new knowledge about photography and the history of photography.   Link
Kenneth J. Botto Research Fellowship: Awards up to $5,000 to support curators, writers, and researchers investigating the life and work of Kenneth J. Botto; photographers working to incorporate set-up, collage, or constructed imagery; or photographers whose work is a critical comment on political, social, and/or art historical issues in society.   Link
Photographic Arts Council/Los Angeles (PAC/LA) Research Fellowship: Awards up to $2,500 to support research in the history of photography   Link
About: The Center for Creative Photography, University of Arizona, is recognized as one of the world’s finest academic art museums and study centers for the history of photography.
Center for Creative Photography, University of Arizona, P.O. Box 210103, Tucson, Arizona, 85721

Friday, November 27, 2015

Wiseman Gallery at Rogue Community College (OR), International Call for Artists: Transgender Realities

Deadline: January 15th, 2016
Wiseman Gallery, Rogue Community College is seeking entries that address issues relating to the experience of the blurring, or negotiation of gender identity in contemporary life. The theme may be interpreted in any style that relates to the title. Open to all artist 18+ working in any media. To enter, submit (3 max) digital images, image list (include title, media, size), contact info and statement of thematic relationship to If accepted the artist is responsible for shipping costs to and from the gallery. No fee to enter.
Exhibition dates: March 2nd – April 8th, 2016
Rogue Community College, 3345 Redwood Hwy, Grants Pass, Oregon

Thursday, November 26, 2015

Job- Eastern Oregon University: Assistant Professor Ceramics and Sculpture

Deadline: January 4th, 2016
Eastern Oregon University seeks a uniquely qualified, creative individual to teach a broad range of courses in ceramics and sculpture. The ideal candidate will demonstrate the ability to teach introductory, intermediate, and advanced sculpture and ceramics courses, as well as mentor majors within the capstone sequence. The Art Department at Eastern Oregon University is a small, interdisciplinary and close-knit program housed within the College of Arts and Sciences. In addition to teaching responsibilities, the successful candidate will maintain an active studio practice, oversee the 3-D studios, participate in departmental activities, committee service to the institution, and academic advising. This is a full-time tenure track appointment at the rank of Assistant Professor. This position will begin fall of 2016.

Wednesday, November 25, 2015

Institute of International Education (NY), International Call for Applicants, The Artist Protection Fund: New Fellowships for Threatened Artists

Deadline to apply: January 4th, 2016
The Artist Protection Fund (APF) is a three-year pilot program at the Institute of International Education (IIE). With funding from the Andrew W. Mellon Foundation, artists who are facing threats to their lives and/or practice can find temporary support through placements at host universities and arts centers anywhere in the world where they can continue their work in safety.
The Artist Protection Fund builds upon IIE’s nearly 100 years of support for threatened scholars. This includes the work of the IIE Scholar Rescue Fund, which since its foundation in 2002 has provided fellowships to enable 625 threatened scholars from 54 countries to escape from harm and continue their work in freedom and safety.
For consideration in February 2016, all application and portfolio materials must be received by Monday, January 4th, 2016.

Tuesday, November 24, 2015

Glacier National Park (MT), Call for Applicants: Artist-in-Residence 2016

Deadline: January 31st, 2016
The Artist-in-Residence Program at Glacier National Park offers professional artists four weeks of uninterrupted time to pursue their artistic discipline while being surrounded by the park’s inspiring landscape. The artist will also present several public programs in the park during their residency to share their experience and their art with park visitors. In celebration of the 2016 National Park Service Centennial the Glacier Artist-in-Residence program is seeking professional artists whose work reflects upon the past 100 years and/or looks forward to the future of our national parks. Proposals submitted may also connect with the Find Your Park campaign. More information about Find Your Park can be found at
Benefit to Glacier National Park: The artist will present several public programs during their residency. This program must be related to their experience as the artist-in-residence. Programs can be demonstrations, talks, exploratory walks, or performances. Upon returning home the artist is encouraged to also present one public program to share the experience with their local community. This program should focus on their experience as the artist-in-residence and its influence on their personal enrichment
The artist will provide digital images of selected work to the park within six months of the completing the residency. The images should represent their experience as the artist-in-residence. The park has the right to use those digital images in park publications, websites and presentations for education and outreach.
General Information: Glacier National Park is located in Northwest Montana. The artist will be located on the west side of the park. The nearest town is West Glacier, MT which is a small town located just outside the park. Columbia Falls, Whitefish and Kalispell are larger towns located about 30-40 minutes from the park and will provide the artist with most all necessary amenities. The artist will have limited access to cell phone service and internet is not provided in the house. Wifi service is available at several locations both inside and outside the park. Artists should be self-sufficient and provide all of their necessary art supplies. Artist must provide their own transportation. Entry fee: $20.
Housing:  The artists selected for June, July and September will be given rent-free use of a furnished cabin on the shores of Lake McDonald. This cabin is rustic with no cell phone service or internet. The artist selected for October will be given rent-free use of a furnished house in the park headquarters located in West Glacier. Basic cooking equipment and bedding is provided. This housing is only available for the artist. Family members, significant others and friends will not be allowed to stay with the artist in the house.
Collaborating Artists:  Up to three artists may apply under one application if their proposed project is a collaboration of several artistic disciplines. The artists will be housed together and will need to be able to live and work in close proximity to each other.
For more detailed information and link to entry via CaFE:
Dates for the Artist-in-Residence sessions:
  • May 30th – June 26th, 2016
  • July 11th – August 8th, 2016
  • August 29th – September 25th,  2016
  • October 3rd – October 30th, 2016
About: Glacier National Park is a national park located in the U.S. state of Montana, on the Canada–United States border with the Canadian provinces of Alberta and British Columbia. The park encompasses over 1,000,000 acres and includes parts of two mountain ranges (sub-ranges of the Rocky Mountains), over 130 named lakes, more than 1,000 different species of plants and hundreds of species of animals.

Monday, November 23, 2015

Call for intervention strategies—Oslo Architecture Triennale 2016: After Belonging

In Residence: international call for intervention strategies
November 23, 2015

The Oslo Architecture Triennale 2016: After Belonging invites architects and other professionals from around the world to engage in a debate concerning our changing condition of belonging and the contemporary transformation of residence. This open, international call offers a unique opportunity to be part of the Triennale's core program, as it seeks intervention strategies for five different sites in the Nordic region. One intervention strategy will be selected for each site and will be developed over one year. The selected interventions will be displayed at the National Museum—Architecture in Oslo.

International call for associated projects
November 30, 2015

Information regarding the two calls can be found at

After Belonging
A Triennale In Residence, On Residence and the Ways We Stay in Transit

With a stranger sleeping on your couch; inside the boxes at the storage facility; surrounded by the information you share in the cloud; after clearing customs at the airport; where your passport allows you to reside. "Being at home" entails different definitions nowadays, both within domestic settings and in the spaces defined by national boundaries under contemporary regimes of circulation.

The 2016 Oslo Architecture Triennale designs the objects, spaces, and territories for a transforming condition of belonging. Global circulation of people, information, and goods has destabilized what we understand by residence, questioning spatial permanence, property, and identity—a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and further geographies. But, simultaneously, circulation also promotes growing inequalities for large groups, kept in precarious states of transit. After Belonging examines both our attachment to places and collectivities—Where do we belong?—as well as our relation to the objects we own, share, and exchange—How do we manage our belongings?

The Oslo Architecture Triennale 2016 is divided into two parts: 
-A triennale On Residence, in which to collectively analyze the spatial conditions that shape our ways of staying in transit and the definition of our contemporary spaces of residence
-A triennale In Residence, in which international architects and professionals concerned with the built environment will engage in local collaborations in Oslo, the Nordic region, and around the globe, to intervene in the transformation of residence

How can different agents involved in the built environment address the ways we stay in transit? How can architects intervene in the reconfiguration of the contemporary residence?

With commissioned reports to: James Bridle, Matilde Cassani, Eriksen Skajaa Architects, Emily Fahlèn + Ahmet Ögüt, Husos, Living Architectures (Ila Bêka, Louise Lemoine), Jill Magid, Emeka Ogboh, The State (Rahel Aima, Ahmad Makia, Deepak Unnikrishnan), Transborder Studio + Friday Milk 

Curated by:
Lluís A. Casanovas Blanco / Ignacio G. Galán / Carlos Mínguez Carrasco / Alejandra Navarrete Llopis / Marina Otero Verzier

Contact curators:

For further information on the Oslo Architecture Triennale, please contact:
Alexandra Cruz,

For media inquiries, please contact:
Kaia H. Nelson, 

Friday, November 20, 2015

Call for Artist Applications - Berlin Studio Program

berlin collective (BC) and the kulturspace foundation (KSF) are pleased to announce our 'international studio program'in berlin, germany. building on the success of the bc artist studio residency program in new york - our partnership & purpose is clear - the evolution of cross-cultural artistic exchange and the global advancement of the arts.
art and expression is the lifeblood of berlin. not only will artists participating in the bc & ksf program benefit from the veritable feast of eclectic and exciting artistic avenues available for exploration in berlin, they will additionally have access to the bc & ksf extensive network. bc & ksf studio programs provide opportunities for artists from a wide range of disciplines to work in berlin, germany for periods ranging from one to three months.
the artist residents will receive customized guidance for the duration of their stay in berlin, and ongoing professional & artistic support in the form of open studio events and curatorial visits to increase their exposure in the art community with a focus on developing their practice both artistically and in business terms. participants and their work will also have the opportunity to gain valuable exposure across social media platforms through video and text interviews. 
in partnership with:
berlin collective

deadlines to apply.

  • nov. 30, 2015 for november 2015-january 2016.
  • jan. 15, 2016 for january 2016 - march 2016
  • mar. 15 2016 for april 2016 - june 2016

Thursday, November 19, 2015


Gallery Aferro believes that persistent dedication to craft and creative output is a formula for success as an artist, but sometimes life gets in the way of artistic productivity. This issue is particularly visible in the case of artists who are also parents. Many of our responsibilities and experiences define our time and creative output. Gallery Aferro is invested in uplifting artists to help them make art now, not later, and encouraging an environment where they can make work as large and complex as the vision of the artist. With the help of funding from the Sustainable Arts Foundation, Gallery Aferro offers this open call to all artists that are parents* and would like to continue their creative practice in an engaged and energized studio residency in downtown Newark, NJ. The studio will be provided to the parent for 6 months at no cost and will come with a $1000 stipend given at the beginning of the 6-month rotation. The stipend and free studio will facilitate the parent-artist in coordinating effective time and energy to be spent in their studios.
*The Merriam-Webster Dictionary defines a “Parent” simply as “a person who is a father or mother” -or- “a person who has a child”, and although that may be a nice, tidy definition, we think it oversimplifies the term. A “Parent” we think can be defined in many ways that are definitely not tied to gender binaries or “having” a child. This open call is open to anyone who has or shares legal guardianship over a person under the age of 18.
This open call opportunity is for 2 slots, February 20th, 2016 - August 19th, 2016 & August 20th, 2016 - February 19th, 2017. The studio is a newly renovated work-only space with large steel shelving. It is a private studio but the building is regularly busy with artists and art enthusiasts interested in collaboration and idea sharing. This call is open to artists, local or not, who are working in any media.
How To Submit
Submit via email to:
Subject line: “Last Name, First Name - ParentRes”
(Example: Smith, Jesse - ParentRes)
*Please send submission materials as attachments, not in the body of the email (i.e. .doc, .pdf, etc)
Submission Deadline: January 6th, 2016
Notification: January 20th, 2016
Every submission\proposal must include:
1) CV\resume
2) Artist Statement
3) Proposal for what you would do with your studio and how participation in the program would be beneficial to you.
4) Work Samples: up to10 - 1 MB jpegs or mpegs or clearly labeled youtube/vimeo links
5) $10 USD fee per open call submission, via paypal on If you truly cannot afford this fee please contact Evonne Davis at for a waiver. We do not believe in artist gouging and ask for this small donation only as part of our overall, diversified activities to support our nonprofit programs. 
Please include the title, medium, size, edition, price, or any other relevant information for each piece. Do not refer us to your website without ALL the other required material. 
Direct all questions to, please be aware that the gallery office will be closed between December 23rd and January 6th so please get your questions in early.