Thursday, April 16, 2015

Open Call RTD I-225 Rail Line - Aurora Metro Center Station

Station Description
Aurora Metro Center is located at South Sable Boulevard and Centrepoint Drive in the City of Aurora.  This station serves the Aurora Municipal Center and the Town Center with lots of shopping and restaurants.
 
Known as the historic Gateway to the Rockies, Aurora boasts more than 300 days of sunshine annually, ten award-winning golf courses and over 450 ethnic restaurants.  Colorado’s third largest city is home to Buckley Air Force Base, the Colorado Freedom Memorial, and the world-renowned Anschutz Medical campus. 

Site Description
The preferred location for artwork at this station is on two different walls at the station. There should be both 2D and 3D art on the walls. The pieces should connect to the location and potentially be inclusive of the populations using this station. The station serves a large shopping mall as well as a busy RTD bus transfer.  The strongest submittal will be a collaboration between a 2-dimensional muralist and a 3-dimensional sculptor.

Artwork Guidelines

  • The movement, safety and security of pedestrians is a priority.
  • The artwork will be outside and exposed to the elements. It must be able to withstand the constantly changing weather conditions of Colorado which include wide fluctuations in temperature and intense sunlight.
  • The artwork must also be resistant to graffiti or vandalism.
  • Materials used must be durable and require little or no maintenance.
  • Prior approval for use of electricity is needed.
  • Artwork proposed for any location by the tracks must not violate any of the clearance and safety regulations concerning the overhead electrical wires (that power the trains) or impede with any train operations.
  • Artwork should not resemble official traffic or highway signs in any way.
Selection
A small group of finalists will be selected by the I-225 Rail Line Art Selection Committee, made up of artists, arts professionals, and community members.  The finalists will be selected based on their past work.  They will then make a site visit and prepare a proposal.  The finalists will also be interviewed by the committee.

Additional Materials Needed:
8 images of past work
Two professional references
CV/Resume
 
Timeline
May 1, 2015                Call closes at midnight
May 26, 2015              Finalist artists notified and asked to prepare proposals
July 17, 2015               Committee interviews finalists/view proposals
July 20, 2015               Final artist notified of selection
Late Fall 2016             Artwork to be installed


https://www.callforentry.org/festivals_unique_info.php?ID=2602

Tuesday, April 14, 2015

One Year long Residencies Charlotte Street Studio Residency Program 2015-16

Charlotte Street Foundation is seeking applications from visual artists, performing artists, and writers interested in being considered for its Studio Residency Program.  Applications are due MONDAY, May 11, 2015 for year-long studio residency terms, September 2015-16.  Applications will be accepted exclusively through www.callforentry.org.
Entering its twelfth year, the Studio Residency Program provides free studio and rehearsal spaces to exceptional young, emerging and/or already accomplished artists in need of space in which to create and to develop their creative processes, professional practices, and peer networks.   Through the program’s offerings—which include studio space, required monthly meetings, presentations, studio visits, mentorships, public programs, and access to a multi-disciplinary network of artist peers —Charlotte Street’s Studio Residency Program encourages creative production, artistic experimentation and collaboration, professional development, and community building.
Charlotte Street Foundation addresses artists’ need for studio space in Kansas City by securing vacant downtown office space, in partnership with generous real estate owners. Since its inception in 2004, the program has supported hundreds of artists.
Studio Space:
Currently, Charlotte Street provides studios at two venues: Town Pavilion, 1100 Walnut, 6th floor (providing space for visual artists, performing artists/ensembles, and writers); and pARTnership Place, 906 Grand, 13th floor (providing space for visual artists).

  • Visual artist studios, to which artists are granted 24-hour access, range from private spaces to dedicated areas within larger, open shared spaces.
  • Performing artist studios, to which performing artists are granted shared 24-hour access with dedicated time slots, include a rehearsal space with dance stage and Marley floor for dancers/choreographers and a separate rehearsal space with a piano for music and theatre/performance artists. 
  • Writer studios, to which writers are granted 24-hour access, private or semi-private studios with wireless internet access.
  • All studios are workspaces only; the program does not provide residential accommodations.
  • The studios are not furnished and do not include access to specialized equipment, tools, materials, etc. 
Program components:
Participating artists are expected to commit to advancing their artistic practices and professional development, building a sense of community in the studios with their fellow artists, and leveraging their residencies toward future opportunities. Note: Artists who do not make full, creative use of the opportunity may be asked to leave the program. Also note: All artists selected for residencies will be required to complete goal-setting worksheets and then meet with Charlotte Street Foundation staff for short, in-person interviews prior to the commencement of their residencies in order to review goals, plans, space needs, etc.
In addition to providing free studio space for artists in which to create new work and connect with a community of peer artists of all disciplines, the studio residency program provides important exposure for the participating artists and a range of supports geared toward helping them build their artistic careers. These include:

  • Monthly meetings – All residents are required to attend all-resident group meetings the Third Monday evening of each month. These meetings connect residents with one another and provide a forum for sharing work and information, and planning activities. 
  • Mentorships –Residents are paired with volunteer artists or arts professionals from the broader community, who agree to meet with them several times over the course of the residency. Each artist completes a goal-setting worksheet at the onset of their residency, which is shared with their mentor to help guide the objectives of the mentorship.
  • Studio visitors –Artists, gallerists, curators, etc. are often invited for one-on-one studio visits with residents, arranged both by Charlotte Street and by residents themselves. These visits provide experience, feedback, and new connections for residents.
  • Open Studios Weekend – Widely promoted, the Spring Open Studios Weekend provides opportunities for residents to meet and share their work with the broader community. The public is invited to meet artists and see new and in-process artworks, experience live performances, hear artist talks, participate in workshops, and more.
  • Resident exhibition/performances/public programs- In addition to the Open Studios weekend, residents selected for 2015-2016 terms will have several additional opportunities to share their work with the public, including a Slide Slam evening presentation, and opportunities for exhibitions/performances at Charlotte Street’s galleries.
Volunteering:
Artists participating in the program are REQUIRED to volunteer 5 hours per month assisting with Charlotte Street efforts, including gallery sitting at Charlotte Street’s art galleries, distributing promotional cards for Charlotte Street events, assisting with installation and deinstallation of exhibitions, community outreach presentations, and other related activities.
Eligibility:
Residencies are granted to selected artists for one-year terms. Artists who make exceptional use of their studios are eligible to apply for a second year-long term, with their applications subject to the same competitive review as new applicants. Full-time students will NOT be considered.

  • Visual artists working in all media are encouraged to apply. Note, the use of toxic materials in studios is prohibited. The studio spaces do not enable the use of a kiln, welding equipment, or other heavy machinery. The majority of spaces are not light or sound-tight.
  • Performing artists working in all disciplines are encouraged to apply, including theatre artists, choreographers/dancers, composers/musicians, singers/songwriters, performance artists, filmmakers, and cross-disciplinary artists.
  • Writers working in all genres are encouraged to apply. Particular preference will be given to artists with a strong interest in working in a cross-disciplinary environment with access to other artists, including those whose focus is on critical/expository writing about art/artists and contemporary culture.
Application Requirements: To apply, visit www.callforentry.org. Applications are due by midnight Monday, May 11, 2015.
Applicants will be required to submit:

  • Contact information
  • Two professional references
  • Resume/CV highlighting your artistic training and accomplishments.
  • Statement describing your work, intent and vision (500 words max)
  • Work samples – from the past 3 years:
    • Up to 10 jpegs for visual artists
    • Up to 3 audio or video samples for performing artists or exclusively time-based visual artists
    • Up to 5 jpegs + up to 2 audio/video samples for visual artists working in combination of still and time-based media
    • Up to 3 writing samples/excerpts for writers, no more than 10,000 words total
  • Statement of intent, including:
  • Description of need and desire for the studio
  • Plans for the use of the studio and work to be created/developed
  • Estimated hours per week expected to be spent in studio
  • Description of materials and processes used in studio practice. (Note: If your work requires the use of equipment or processes not possible in the studios - i.e. you use toxic materials, a kiln, welding equipment, require high ceilings or a light- or sound-tight space, etc- explain how this would impact your use of the space and its value to you.)
  • Goals and expectations for participation in the studio program; How will the residency contribute to personal, creative, and professional growth?
  • Contributions you will make to the program/community of resident artists; specific skills, strengths, interests, experiences, etc. you might bring and share; particular activities you wish to instigate or organize, etc?
Charlotte Street Foundation, founded in 1997, is a nationally leading, non-profit, Kansas City-based organization whose mission is to challenge, nurture, and empower artists of exceptional vision. With its community of artists, Charlotte Street strives to be a primary catalyst in making Kansas City a thriving creative metropolis. 
For more about Charlotte Street Foundation and the Studio Residency Program, visit: http://www.charlottestreet.org
http://www.charlottestreetstudios.wordpress.com
Please email info@charlottestreet.org with any questions. 

Monday, April 13, 2015

Roundabout Sculpture Project, City Place Development, City of Overland Park, KS


Project Overview:
The City of Overland Park is seeking an artist or artists to install two installations on each of two roundabouts within a high profile mixed use development. The two locations are traffic island roundabouts. Both sites require proposals that can be appreciated in not only 360 degrees but in all light conditions and all seasons. When possible the City prefers installations that reflect the culture, history, people and values of our community. Ideally the two sculpture sites would be compatible with each other and the surrounding development.
Proposals will reviewed by the Public Art Master Plan Committee, hereafter referred to as the selection committee, a body of volunteers comprised of artist experts, residents and stakeholders to determine a recommendation for the City Governing Body. Ultimately, the City of Overland Park Governing Body has final authority of all decisions of art acquisitions.
Roundabout #1 is 100’ in diameter. Roundabout #2 is 76’ in diameter. The City expects that both installations will not have the same scale, neither will the sites have the same budget, nor is it required that one artist manage both installations. Artists may apply for both locations in which case the sites must be compatible with each other. However, if two separate proposals are selected, it is incumbent on the selection committee to demonstrate compatibility between the two proposals.
To view detailed site schematics, developement plan and elevation images go to website.

Project Expectations:
Existing works, as well as proposals for future works, will be considered equally. Jury will consider the strength of the artists’ images and the portfolios as a whole.
Proposals must demonstrate ability to withstand normal Kansas weather conditions including temperature fluctuations and average wind load, extreme weather, such as tornados, is not considered normal. While annual maintenance is expected, preference will be given to proposals with low maintenance requirements and costs.
Site locations are highly visible as such art should be prominent, however, the sculpture set on the larger of the two roundabouts will have the greater scale. Prominence and scale are not defined in terms of vertical height or structural mass, rather a means of using the space as fully as possible to impressive impact.
The selection committee has determined a preference for contemporary art that incorporates light (LED not Neon due to maintenance) and/or color. Water features will not be considered. Bronze is not preferred but will be considered. Whimsy is welcome.
The Sites:
At the entry point of the development on Switzer Road is the smaller of two roundabouts. The larger is central to the complex at the intersection of Switzer Road and 113th street. (See Attachment C.) Both installations will have limited visibility from the adjacent highway of U.S. 69 and high visibility on the heavily traveled College Boulevard.
The larger roundabout located in the center of the complex is 100.34’ in diameter. (See attachment A.)  The second smaller roundabout is 76.33’ in diameter. (See Attachment B.) Both spaces are elevated above the road with curbing and stamped concrete skirting and the interior space designated for art is without any traffic line-of-sight restriction. Each roundabout has a three point entrance and traffic is limited to 20 mph in the roundabouts, 35 mph on the approaching streets. While pedestrian and bicycle traffic will be encouraged, the sites are not designed to encourage interaction.
About the Development:
CityPlace is a 90-acre mixed use development located in the City of Overland Park, located in Johnson County, Kansas.  (See Attachment D.) The development is bordered by U.S. 69 and the heavily traveled College Boulevard. CityPlace will feature four office buildings totaling 600,250 square feet on 26 acres, 1,382 multi-family units on 39 acres, 38,860 square feet of retail space on six acres and 140 senior living units as well as landscaped outdoor space for relaxation. The theme of the development is: “Live - Work - Play.”
The Budget: $200,000
Proposals Timeline: Call for Artists 6 weeks - Deadline is April 15, 2015
Review of Proposals - Complete by April 30, 2015
Attachments may be viewed at:
http://www.opkansas.org/wp-content/uploads/CallforEntry-CityPlace.pdf

Friday, April 10, 2015

2015 Invitation to Sculptors Indiana University East


2015 Invitation to Sculptors
Indiana University East (IUE) invites you to participate in our 2015-2017 juried, on-loan, outdoor sculpture exhibit on the Richmond, Indiana campus.  Selected artists must be willing to enter into an Art Loan Agreement with IUE and will be awarded an honorarium of $500 per piece. 
IUE is a regional campus of Indiana University with a vibrant arts program and extensive art collection.  We have recently installed sculpture pads on our beautiful Richmond campus to display public sculptures on a rotating basis.   The first exhibit will be from August 16, 2015 through August 15, 2017.
Deadline for Submissions: April 15, 2015.
Jury will make selections and inform artists by: May 15, 2015

  • Delivery: selected sculptures must be delivered to IUE between June 30, 2015 and July 30, 2015
  • Installation Schedule: August 1 – August 15, 2015
  • Exhibition Schedule: August 16, 2015 – August 15, 2017
  • Sculptures to be removed: within one month of the exhibit’s closing on August 15, 2017
Eligibility:  Artists must own the rights to the artwork, which must be available for the duration of the two-year exhibition period.  Artwork must be ready to set on our 8’ x 8’ cement pads.  The installation method for each sculpture should be welded tabs or similar easy-install method. 
The exhibit is outdoors and open to the pubic, and because of this certain requirements must be met in order for a sculpture to be considered for display.  Fragile or dangerous works will not be accepted.  Artwork must be available for the duration of the two-year contract, and must be constructed of durable materials that will withstand year-round Indiana weather. 
Transportation: Selected artists are responsible for transportation of the artwork to and from the installation site.  The artwork must be delivered as exhibition-ready.  The university will supervise installation of the work, and will insure the artwork for the duration of the exhibit.
Submission Details:  Artists may submit up to two sculptures for consideration, but each submission will be considered separately.  Each submission must include the following:

  • a bio/resume describing your experience and exhibition history
  •  3 images (front, back and 1 detail)
  • dimensions (HxWxD) for each submission
  •  stated insurance value for each artwork
  • each sculpture entry must be submitted individually.

Please register at CaFE.org and complete your profile to sign up for the IUE Call for Entry.  Please read it carefully and if you have any questions please contact: clongley@indiana.edu.   A contract will be sent upon your acceptance.  For more information, please visit:  http://www.iue.edu/sculpturegarden/

Thursday, April 9, 2015

Palo Alto Public Art Program: Temporary Public Art Request for Proposals for Existing Outdoor Works


Request for Proposals for Existing Outdoor Works
Application Deadline: April 12, 2015
OPPORTUNITY: The City of Palo Alto’s Public Art Program invites artists to submit proposals of engaging existing artworks in a variety of durable media for the purpose of temporary installation (a few days up to 2 years) throughout various outdoor sites in Palo Alto, CA. Proposals selected through this call will be considered for exhibition during the 2015 and 2016 calendar years.
BUDGET: Up to $5,000 per installation all inclusive. Artists are responsible for all costs, equipment and labor related to the transportation, installation, display, maintenance, and removal of the artwork.
ELIGIBILITY: The opportunity is open to all professional artists and artist teams over the age of 18 years old who reside in the United States with experience implementing projects in public space. Local artists residing in the Northern California Bay Area Region are especially encouraged to apply.
INSTALLATION DURATION: Installations may be on view a minimum of 3 days and a maximum of two years, depending on the artwork and the site conditions.
SELECTION CRITERIA:

  • All installations must of the highest artistic quality and demonstrate mastery of skills and appropriateness of media and artistic concepts to a public setting.
  • Installations should be engaging to the public and may include light, sound, or invite physical interaction.
  • Installations that have a night-time presence as well as a day-time presence are encouraged.
  • Cost of the installation balanced with the impact of the artwork.
Once approved, the artists will be notified that their artwork is being considered for public installation and will be included in the prequalified pool. Selected artworks for the pool will remain active for a two-year period (2015/16).
Inclusion in the prequalified pool does not guarantee selection for specific installation sites. This call does not obligate the City to exhibit any of the proposals received in response to this call; nor does inclusion in the prequalified pool obligate the City to exhibit that artwork or artist.
SUBMISSION REQUIREMENTS:
1. Background Information

  • Artist Resume;
  • Artist Statement (350 words maximum) which outlines your interest in exhibiting work in Palo Alto, and provides a summary of your professional artistic experience.
2. Artwork Proposal
  • Details of the proposed artworks, including, but not limited to, the materials, dimensions (H x W x D and weight), required power sources, detailed information regarding installation method, anchoring procedure, and any necessary maintenance;
  • Up to six images of the proposed artworks featuring full scale and detailed views;
  • Budget, which should include, but is not limited to costs associated with transportation, installation, maintenance, artist fees and removal of the artwork; 
  • If previously exhibited, a list of locations where the artwork has been displayed;
  • List how long you propose to exhibit the work and when the artwork is available for exhibition.
* If the artist’s proposal is selected, then engineered drawings concerning the artwork and base and/or anchoring procedure may be required for approval.
APPLICATION DEADLINE AND REQUIREMENTS: Wednesday, April 12, 2015, by 10:59 (PST). All applications must be submitted online via CaFÉ™, an online application system for calls for entry at www.callforentry.org. There is no charge for artists to apply or use CaFÉ™. Applications that are mailed, faxed, or hand-delivered will not be considered.
CONTACT US: For additional information, contact the City of Palo Alto Public Art Program via email: nadya.chuprina@cityofpaloalto.org
STAY IN TOUCH: Artists interested in other public art opportunities are encouraged to visit the City of Palo Alto Public Art Program webpageand sign up for our monthly e-news.
ABOUT THE PALO ALTO PUBLIC ART PROGRAM: The City of Palo Alto Public Art Program is committed to contributing to the intellectual, emotional and creative life of the Palo Alto community and seeks to increase the public’s daily exposure to art. It strives to build the City’s reputation as a dynamic public art locale with works of diverse styles and disciplines, and the highest aesthetic standards. The Palo Alto Public Art Program is administered by the Community Services Department. 

Public Art for Rowan University Engineering Building Exterior


Background.
Rowan University has evolved from its beginning in 1923 as a school with a mission to train teachers for South Jersey classrooms to a comprehensive public research university with a strong regional presence and reputation.
 
The Rowan campus is expected to experience significant growth in the foreseeable future. Several capital improvements and building projects are being planned and developed to support the projected need for additional space.
 
At Rowan, what underlies and drives every decision are four guiding principles that reflect what we value and how we perceive our obligation to serve and lead as a state university:
 
• providing access to increase opportunities for students to benefit from higher education 
• improving affordability to help relieve the burden of student debt and maintain the highest standards of fiscal accountability 
• ensuring quality to deliver education, programs and services of superior quality 
• serving as an economic engine to lead the development of the region, collaborating with public and private partners to benefit all 
 
The College of Engineering
 
 
 
Rowan University is constructing a new addition to Rowan hall, their existing School of Engineering. This addition will allow for the growth of its current program and increase enrollment.
 
 
The New Engineering Building addition enhances the presence of Rowan Hall and begins the process of strategically redefining the western edge of campus, as called for in the University’s master plan. While the new building has its own identity, it integrates seamlessly with Rowan Hall and the surrounding campus.
 
Through its use of compatible exterior materials and window patterns, along with a careful manipulation of massing and scale, Rowan Hall and the new building create a unified and much expanded Engineering Complex. The two facilities are now strongly connected at both the ground level through the landscape and at the third floor by a new glass bridge. The new building also creates unexpected exterior interactive environments - including a roof terrace - while enhancing the existing open spaces around Rowan Hall. These new landscapes sponsor a heightened sense of campus community, make important interaction spaces for the engineering disciplines, and provide much-needed venues for outdoor engineering experiments and demonstrations.
 
With a campus roadway passing directly under the new and transparent link bridge, the New Engineering Building addition works in concert with Rowan Hall to create another iconic gateway entrance to Rowan University.
 
Arts Inclusion
 
Exterior
 
 
Under the bridge, a new pedestrian plaza with outdoor seating is created between the two buildings. The plaza not only links Rowan Hall to the New Engineering Building across the roadway, but also provides a greatly enhanced entrance to the Engineering Complex from campus. Located to be the heart of the Complex for faculty and students, the new building’s glass-enclosed, two-story Learning Commons and Café have direct access to the plaza.  
 
The entrance plaza is the site that has been selected for a sculpture, perhaps kinetic,  as a part of the State of New Jersey's Arts Inclusion Program
 
Budget:                             $80,000
Date for completion:         November 2016          

https://www.callforentry.org/festivals_unique_info.php?ID=2553

Wednesday, April 8, 2015

Creative Citymaking Call for Artists


Intermedia Arts, a nonprofit arts center in Minneapolis, MN, is seeking three artists or artist teams (maximum of two artists per team) to participate in Creative CityMaking Minneapolis (CCM), a collaboration with the Arts, Culture and the Creative Economy program of the City of Minneapolis that fosters collaborations between local artists and City departments to develop fresh and innovative approaches to address long-term planning, neighborhood and community relations, technological, engagement, and social opportunities in Minneapolis. During 2015, Creative CityMaking will embed artists in five City Projects.  Two artist teams were selected in February, 2015 to work in the departments of Community Planning and Economic Development (CPED) and Neighborhood and Community Relations (NCR).  Three additional artist/artist teams will be selected in this round.
This project is designed as a 20 hour per week commitment for 12 months. There is potential for this project to become multi-year work.  The collaborative work produced by the teams will be showcased at community meetings, citywide community events, and will culminate in a public exhibition. In addition, artists and City personnel will meet throughout the year in a series of participant convenings where they will exchange ideas, share progress, and learn about effective cross-sector innovation initiatives.
The Goals of Creative CityMaking Minneapolis
Creative CityMaking Minneapolis (CCM) is an arts-based innovation initiative that pairs staff in City of Minneapolis departments with experienced community artists to advance the City’s One Minneapolis goal: Disparities are eliminated so all Minneapolis residents can participate and prosper.
  • Racial inequities (including in housing, education, income and health) are addressed and eliminated.
  • All people, regardless of circumstance, have opportunities for success at every stage of life.
  • Equitable systems and policies lead to a high quality of life for all.
  • All people have access to quality essentials, such as housing, education, food, child care and transportation.
  • Residents are informed, see themselves represented in City government and have the opportunity to influence decision-making.
These collaborations between City staff and artists are in support of the following objectives:
  • To use arts resources and practices to help City departments address their priority issues;
  • To design and test new interfaces between City systems and the community, and new approaches for community engaged policy-making, planning, and practice; 
  • To enhance City staff and artists’ abilities to facilitate community engagement, and equip them with new tools for working effectively with traditionally underrepresented communities;
  • To create a collaborative, sustainable support system that advances the work of City departments through partnership with experienced community artists; and
  • To document and communicate lessons learned.
__________________
Project Opportunity Title:  Electoral Engagement
Placement in the Office of the Minneapolis City Clerk
About the City Clerk:
The work of the Office of the City Clerk encompasses multiple forums through which residents engage directly with their government. The Elections and Voter Services Division administers all elections for Minneapolis residents, including at the municipal, state, and federal levels, as well as for county elected officials and the Minneapolis School Board. The Office includes the Legislative Support Unit, which is responsible for making the actions of the City Council accessible to the public, as well as ensuring that residents are able to engage in the Council process and provide input on proposed policies and actions.
About Electoral Engagement:
The goal of this project is to nurture a culture of electoral engagement.  The Office seeks to partner with artists from a variety of disciplines who are able to help with communicating the value of electoral engagement to a range of residents, including through the use of media and forums that are not traditionally utilized in such work. Just as significantly, this engagement should create opportunities for dialogue and conversation through which community members feel both able to express their viewpoints and share experiences with staff, and also see the clear value in doing so. The true value in this work will come from the ability to forge connections that are not already in place.
Specific issues that need to be addressed include:
  • Developing culturally specific ways to understand and communicate the value of the civil society and the electoral process to new immigrant communities;
  • Developing culturally specific ways to make legible and provide access to existing platforms for civic processes and decision making including boards, commissions and voting process;
  • Developing platforms for City staff to effectively engage with underserved communities;
  • Overcoming immediate barriers and motivating community interest in election processes and understanding their impacts.  
 _______________________
Project Opportunity Title:  Digital Equity
Placement in the Information Technology Department
About the Information Technology (IT) Department:
The Information Technology Department helps City of Minneapolis departments leverage technology to meet the City’s needs. The work of the Information Technology Department is to deliver innovative, high quality, cost effective computing, networking, information management and business apps management services to City departments in support of their business goals and objectives. IT strives to be a valued partner in technology by providing innovative solutions to City needs, challenges and opportunities.
About Digital Equity:
Digital equity is a component of equity in Minneapolis. Disparities exist over age, race and income, which also map to geographic disparities of access and digital literacy skills. The department is working in collaboration with several organizations across Minneapolis to increase residents’ access to computers and the Internet, and to increase the technology skills within the community. IT wants to better map and connect digital literacy skills to the technology assets in Minneapolis. IT considers the following among “community technology assets”: public computer access locations, low cost Internet options, technology training, higher education and the new accelerated IT learning programs and hopes to work with an artist to further the initiative.
Specific issues that need to be addressed include:
  • making information easy to understand and access. By making legible existing opportunities to residents (including non-English speakers) and communicating across cultural divides such as age, race and income, the department can help residents understand what is available and when, and create more effective connections between the community and opportunities;
  • creating a platform to bring training to the community.  This can include: prototyping methods and tools that are easy and portable, and that work with schedules and life needs of underserved communities;
  • demonstrating the value of technology in meeting a variety of individual, community and civic goals; why it is beneficial to be part of the digital society.
________________________
Project Opportunity Title:  Tenant Voices
Placement in the Regulatory Services Department
About Regulatory Services:
The Regulatory Services Department is charged with the responsibility of protecting the health, safety and welfare of Minneapolis residents through a program of regulation, inspection, and enforcement of laws and ordinances. The department is committed to developing deeper, authentic relationships with communities, and sees that work as key to the Regulatory Services’ long term culture change efforts. The vision of the department - strengthening communities by partnering with residents, neighborhoods and businesses to make the city safer, healthier and more inviting for all – is clear, but the values of collaboration and the department’s  enforcement function can often be at odds. The Community Engagement division of Regulatory Services is focused on strengthening communities through expanding partnerships and building relationships between a broad range of community and neighborhood stakeholders, including other city departments, neighborhood organizations, tenant and housing support networks, property owners, residents and businesses. 
About Tenant Voices:
Focused primarily on the rental community where heightened enforcement action may lead to unintended consequences adversely affecting tenants and where inaction may similarly lead to a separate set of unintended impacts on the community, the  department seeks arts-based community engagement solutions to developing authentic relationships with and within underserved and underrepresented communities so that department policies are better aligned with the interests of the communities the department serves.
This year, the Division will be focusing on how to create more opportunities for tenant engagement and how to get input on improving existing service delivery or create new models for service delivery that address a growing and diverse population.  Regulatory Services seeks to add an arts perspective to this endeavor as a means to cross  educational, economic and cultural divides, and ensure a more authentic and inclusive experience for both Regulatory Services staff and the communities the department serves. Specifically, the department is looking to work with an artist or artist team who can help increase awareness on how tenant voices can be heard and engaged to inform operational and policy level decisions involving residential inspections. 
Eligibility for all Project Opportunities:
We are seeking experienced artists, designers or artist teams from a broad range of artistic disciplines, including but not limited to: visual arts, performing arts, literary arts, media arts, interdisciplinary and/or multidisciplinary arts. Artists must have experience with artistic processes that are social, interactive, and physical. Artists must be available to attend all participant convenings and scheduled program dates. Artists must have a strong history of at least two years of collaboration. Creative CityMaking is open to all artists within a reasonable commuting-distance from Minneapolis. Members of the Minneapolis Arts Commission, the Commission’s Public Arts Advisory Panel, Intermedia Arts staff and board and City of Minneapolis staff are not eligible to apply.
Compensation:
Selected artists or artist teams will receive a fee of $30,000 for work that will occur over the course of 12-months, from mid-May 2015 – mid-May 2016. 
Project Expenses:
Selected artists will be paired with a City department managing a specific project in the department’s 2015 workplan.  Each artist-department team will have additional funds of $8500 for project materials related to Creative CityMaking. The artist-department team will determine the use of their allocated Creative CityMaking project budget, including project material expenses.
Artist Scope of Services and Expectations:
Creative CityMaking artists are expected to keep project goals at the forefront of their work in collaboration with City staff and:
Participate in Training and Meetings
  • Participate in project orientation, quarterly daylong convenings with City staff/artist teams, brown-bag lunch forums and other project-related networking events.
  • Artists (including both artists if working in a team) should meet at least monthly with project manager(s).
  • Participate in mid-project check-ins with City staff, project manager(s), project collaborators. (Intermedia Arts and Arts, Culture and the Creative Economy), and community stakeholders.
  • Artists (including both artists if working in a team) should meet regularly (suggested biweekly) with City staff involved in the project.
  • Attend and participate in departmental and community meetings/presentations as needed.
  • Spend working time within the City department and at the City Innovation Center.
Define Project
  • Develop team agreement in collaboration with City staff including work plan, budget, conflict resolution guidelines, and other elements outlined in the team agreement template.
  • Develop budget to be approved by Intermedia Arts, City staff, and project manager(s).
  • Create a media-based (graphic design, video, photography, or mixed media) representation of what the Department does and the intention for the project you are working on (to be completed within 6 weeks of signing contract with Intermedia Arts)
Administration
  • Collect and deliver all project expense receipts to IA for reimbursement.
  • Any subcontractors hired for the project through IA must have an IA contract developed for services $600 and higher.
Communication
  • Communicate regularly with project manager(s).
  • Submit monthly reflective updates along with artist activity logs on how time was spent.
  • Submit work plan as part of the team agreement with City staff.
  • Work within communications protocols established by City of Minneapolis and Intermedia Arts.
Data Collection
  • Become familiar with appropriate background information, including relevant research and data.
  • Work closely with City staff and managers to ensure that data collected for City efforts is data that can be used.
  • Develop and outline strategies in workplan for data entry, formatting, and sharing with City staff at outset of project, and as new tools are developed.
Evaluation
  • Provide data to program evaluators through engagement logs and other evaluation tools.
  • Participate in the program evaluation as requested.
Document process and tools
  • Participate in program documentation, including video/media as requested.
  • Share visual and written documentation of the process, activities, and instructions/template for new tools generated.
Share Back
  • Coordinate and present relevant information through at least one creative community event with City project stakeholders through theater, visual arts, exhibit, etc. in addition to the culminating exhibit and forum.
  • Co-develop an exhibit of tools, approaches, and lessons learned for the Creative CityMaking culminating event and exhibit in spring 2016.
  • Participate in culminating forum and exhibit launch.
Extend Arts-Based Practices
  • Engage with other departments as requested to support the thorough integration of arts-based innovation within the City.
Mandatory Program Dates:
  • Participant Convening #1: February 26, 2015 8:30-5 PM (completed)
  • Participant Convening #2: May 28, 2015
  • Participant Convening #3: October 29, 2015
  • Participant Convening #4: January 28, 2016
  • Culminating Public Events & Exhibition May TBD 2016
NOTE: Participant convenings are full-day events.
Intellectual Property Rights:
Creative CityMaking is intended to produce fresh approaches, which will take many forms (tools, plans, processes, methods, interviews, artistic products, photographs, audio and video recordings…) to help City departments address their priority issues. To facilitate the ongoing use of these products in the City of Minneapolis and beyond, all property created as a part of Creative CityMaking shall be owned jointly by the Artists, the City of Minneapolis, and Intermedia Arts. Creative CityMaking is a three-way ownership, licensing and derivative uses agreement.
Artist Qualifications/Selection Criteria:
1. Experience as a Practicing Artist
  • Demonstrated five years minimum experience as a practicing, working artist.
  • A focus on urban and social issues, as central to artists’ creative expression.
2. Connections to the City and Planning
  • Strong interest in the intersection of art and city processes, and public administration issues.
  • Ability to work collaboratively and in a team-based environment.
  • Demonstrated experience at navigating systems and willingness to work within required public processes.
3. Connections to the Community
  • Demonstrated experience or strong interest in working with communities and/or the general public in the creative process.
  • Knowledge of local communities.
  • Exceptional cultural competency and demonstrated ability to constructively work with traditionally underrepresented communities.
4. Personal Capacity
  • Strong communication, facilitation, interpersonal, presentation, and equity-focused skills.
  • Willingness and ability to learn and grow while meeting the changing requirements of the work.
  • Regular availability during the project timeline (May 2015 - May 2016).
  • Interest in collaborating with City departments to achieve goals.
https://www.callforentry.org/festivals_unique_info.php?ID=2556

Tuesday, April 7, 2015

City of Newport Beach Temporary Outdoor Sculpture Exhibition


The City of Newport Beach, California seeks ten outdoor sculptures for its Sculpture in Civic Center Park exhibition at the recently created Civic Center Park. This beautiful 14-acre, ocean-view site was designed by the renowned landscape architectural firm PWP Landscape Architecture (PWP). The design included an art master plan to facilitate future displays of public art within the passive park setting. 

All work submitted for consideration must be complete and available to be loaned to the City for a period of two years (August 2015 – August 2017). 

Artists, art collectors, museums, and galleries are encouraged to apply. The honorarium amounts vary between $2,000 - $5,000.



VIEW COMPLETE RFP BEFORE APPLYING


ELIGIBILITY:

  • This call is open to all professional artists and artist teams, private collectors, galleries and museums/non-profit organizations.
  • Applicants may only submit ONE (1) application for ONE (1) artwork. Multiple submissions will not be considered.
  • Artists are only eligible to have one piece of artwork in the exhibition at a time. Artists whose work is already exhibited in this exhibition are ineligible to apply.
  • All applicants must be over the age of 18.
  • All artwork must be pre-existing and ready to loan. Submissions of artwork concepts, maquettes, or models will NOT be considered. The artwork must be in its complete form and appear exactly as photographed.
  • All artwork submitted must be available to be loaned from August 2015 – September 2017
  • All artwork must be suitable for outdoor installation as follows (but not limited to)
    • Able to be structurally secured to a concrete pad with anchor bolts;
    • Capable of withstanding adverse weather conditions (high winds, long sun exposure, sea salt air, etc.);
    • Fabricated and finished with non-hazardous materials;
    • Maintenance free for the duration of the exhibition;
    • Appropriate for an active pedestrian environment and proper consideration for the safety of the audience
  • https://www.callforentry.org/festivals_unique_info.php?ID=2564